ePub Punk: Chaos to Couture download
by Richard Hell,Jon Savage,John Lydon,Andrew Bolton

His underlying aim is to prove that punk was more than just the cliché of mohicans and bad skin, but was a swirling, chaotic period of great experimentation in style. No linear study, the book offers a wide-ranging overview of the persistence of punk’s influence. The big coup of the book is its introductory essay by both Richard Hell and John Lydon, he who previously went by the name of Johnny Rotton. -Charlie Porter, V&A Magazine.
Punk: Chaos to Couture is a 2013 non-fiction book by Andrew Bolton, Richard Hell, Jon Savage and John Lydon. A collection of essays and photos tying together the style and fashion of punk rock, based on a Metropolitan Museum of Art art exhibit. The Metropolitan Museum of Art.
Andrew Bolton, Richard Hell (CON), John Lydon (CON), Jon Savage (CON) Punk. Price for Eshop: 899 Kč (€ 3. ).
Punk Chaos to Couture Andrew Bolton, Jon Savage, John Lydon . Curator Bolton (Alexander McQueen: Savage Beauty) defines punk as the questioning of traditional representations.
Punk Chaos to Couture Andrew Bolton, Jon Savage, John Lydon, Richard Hell. Richard Hell was a founding member of Television in 1974, departing before the band recorded; the Heartbreakers in 1975, ditto; and Richard Hell and the Voidoids (1976-84). Since abandoning music in 1984, he has published the novels Go Now (1996) and Godlike (2005) and the collection Hot and Cold (2001). His autobiography, I Dreamed I Was a Very Clean Tramp, was released in 2013. through its ethos of do-it-yourself.
Bolton, Andrew (and Richard Hell, Jon Savage, John Lydon) (2013), eds. Punk: Chaos to Couture
Bolton, Andrew (and Richard Hell, Jon Savage, John Lydon) (2013), eds. Punk: Chaos to Couture. New York: Metropolitan Museum of Art. Bolton, Andrew (2016).
Punk: Chaos to Couture (Hardback). Andrew Bolton (author), Jon Savage (author of contributions), John Lydon (author of contributions), Richard Hell (author). His underlying aim is to prove that punk was more than just the cliche of mohicans and bad skin, but was a swirling, chaotic period of great experimentation in style. No linear study, the book offers a wide-ranging overview of the persistence of punk's influence. Charlotte Simmonds (2013-05-13). Picture Book of the Week: Punk – Chaos to Couture".
PUNK: Chaos to Couture. Bolton, Andrew, with Richard Hell, John Lydon, and Jon Savage (2013)
PUNK: Chaos to Couture. Bolton, Andrew, with Richard Hell, John Lydon, and Jon Savage (2013). This title is in print. PUNK: Chaos to Couture considers the vitality of the punk aesthetic and its impact on high fashion, from the do-it-yourself ethos of punk's originators to the perfection defined by its couture descendants. Punk has had an incendiary influence on fashion. Although punk's democracy stands in opposition to fashion's autocracy, designers continue to appropriate punk's visual vocabulary to capture its youthful rebelliousness and aggressive forcefulness. Punk was like nothing anybody had seen before, like nothing.
Learn about the punk movement with our book, PUNK: Chaos to Couture, surveying the influence on fashion from haute couture to ready-to-wear as seen.
Since its origins in the 1970s, punk has had an explosive influence on fashion. With its eclectic mixing of stylistic references, punk effectively introduced the postmodern concept of bricolage to the elevated precincts of haute couture and directional ready-to-wear. As a style, punk is about chaos, anarchy, and rebellion. Drawing on provocative sexual and political imagery, punks made fashion overtly hostile and threatening. This aesthetic of violence – even of cruelty – was intrinsic to the clothes themselves, which were often customized with rips, tears, and slashes, as well as studs, spikes, zippers, D-Rings, safety pins, and razor blades, among other things.
This extraordinary publication examines the impact of punk’s aesthetic of brutality on high fashion, focusing on its do-it-yourself, rip-it-to-shreds ethos, the antithesis of couture’s made-to-measure exactitude. Indeed, punk’s democracy stands in opposition to fashion’s autocracy. Yet, as this book reveals, even haute couture has readily appropriated the visual and symbolic language of punk, replacing beads with studs, paillettes with safety pins, and feathers with razor blades in an attempt to capture the style’s rebellious energy. Focusing on high fashion’s embrace of punk’s aesthetic vocabulary, this book reveals how designers have looked to the quintessential anti-establishment style to originate new ideals of beauty and fashionability.
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