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by (various authors),Nina Gurianova,Gerald Janecek,Deborah Wye,Natalia Goncharova,Kasimir Malevich,El Lissitzky,Alexander Rodchenko,Margit Rowell

ePub The Russian Avant-Garde Book 1910-1934 download
Author:
(various authors),Nina Gurianova,Gerald Janecek,Deborah Wye,Natalia Goncharova,Kasimir Malevich,El Lissitzky,Alexander Rodchenko,Margit Rowell
ISBN13:
978-0870700071
ISBN:
0870700073
Language:
Publisher:
The Museum of Modern Art, New York (June 15, 2002)
Category:
Subcategory:
Graphic Design
ePub file:
1401 kb
Fb2 file:
1530 kb
Other formats:
mbr lrf lit docx
Rating:
4.5
Votes:
109

Malevich, Olga Rozanova, Natalia Goncharova, El Lissitzky, Aleksandr Rodchenko, and many others. Organized by Deborah Wye, Chief Curator, Department of Prints and Illustrated Books, and Margit Rowell, Guest Curator.

Prompted by an extraordinary gift to MoMA of more than 1,000 Russian avant-garde illustrated books from The Judith Rothschild Foundation, New York, the exhibition represents all the significant artistic developments of the period with works by Kazimir Malevich, Olga Rozanova, Natalia Goncharova, El Lissitzky, Aleksandr Rodchenko, and many others.

Russian avant-garde books made between 1910 and 1934 reflect a vivid and .

Russian avant-garde books made between 1910 and 1934 reflect a vivid and tumultuous period in that nation's history that had ramifications for art, society, and politics. They include Natalia Goncharova, El Lissitzky, Kazimir Malevich, Aleksandr Rodchenko, Olga Rozanova, the Stenberg brothers, Varvara Stepanova, and others.

The book is rich in showcasing and reproducing the Russian Avant-Garde books. In some, it included reproduction of contents of some of the books. For those who miss the exhibition from which this book springs forth, it is a wonderful and well-documented catalog.

With essaysby Jared Ash, Nina Gurianova, Gerald Janecek, Margit Rowell, and DeborahWye. 1 Deborah Wye For the initiated viewer, an illustrated book offers among the most intimate of art experiences. The Museum Of Modern Art, New York Distributedby HarryN. Tamar Cohen, Gerald Janecek, Varvara Rodchenko, and David Slatoff deserve our deepest grati tude for their donations of works.

The Russian Avant-Garde Book book. This astonishing volume includes a diverse assortment of over 300 of these artist's books by Kazimir Malevich, El Lissitzky, Aleksandr Rodchenko, and Natalia Goncharova, among other we Marked by bold innovations in graphic design combined with daring experimentation in poetry, Russian avant-garde books are at last receiving the accolades and scholarly attention they merit.

Aleksander Rodchenko, El Lissitzky and Varvara Stepanova apply Constructivism in the visual experimentation with book covers. Deborah Wye and Margit Rowell.

by Deborah Wye and Margit Rowell. Select Format: Hardcover. ISBN13:9780810962248.

The Russian Avant-Garde Book 1910-1934: (various authors), Nina Gurianova, Gerald Janecek, Margit Rowell . El Lissitzky, Russian painter, typographer, and designer, a pioneer of nonrepresentational art in the early 20th century

The Russian Avant-Garde Book 1910-1934: (various authors), Nina Gurianova, Gerald Janecek, Margit Rowell, Deborah Wye, Natalia Goncharova, . .El Lissitzky, Russian painter, typographer, and designer, a pioneer of nonrepresentational art in the early 20th century. His innovations in typography, advertising, and exhibition design were particularly influential. Lissitzky received his initial art training in Vitebsk (now Vitsyebsk, Belarus)

Manufacturer: The Museum of Modern Art, New York Release date: 15 June 2002 ISBN-10 : 0870700073 ISBN-13: 9780870700071.

Author: Margit Rowell. This astonishing volume includes a diverse assortment of over three hundred of Russian avant-garde artist's books by Kazimir Malevich, El Lissitzky, Aleksandr Rodchenko, and Natalia Goncharova, among others.

Russian avant-garde books made between 1910 and 1934 reflect a vivid and tumultuous period in that nation's history that had ramifications for art, society, and politics. The early books, with their variously sized pages of coarse paper, illustrations entwined with printed, hand-written, and stamped texts, and provocative covers, were intended to shock academic conventions and bourgeois sensibilities. After the 1917 Revolution, books appeared with optimistic designs and photomontage meant to reach the masses and symbolize a rational, machine-led future. Later books showcased modern Soviet architecture and industry in the service of the government's agenda. Major artists adopted the book format during these two decades. They include Natalia Goncharova, El Lissitzky, Kazimir Malevich, Aleksandr Rodchenko, Olga Rozanova, the Stenberg brothers, Varvara Stepanova, and others. These artists often collaborated with poets, who created their own transrational language to accompany the imaginative illustrations. Three major artistic movements, Futurism, Suprematism, and Constructivism, that developed during this period in painting and sculpture also found their echo in the book format. This publication accompanied an exhibition of Russian avant-garde books at The Museum of Modern Art, New York. All of the books in the exhibition and this publication are part of a gift to the Museum from The Judith Rothschild Foundation.
  • Stunning piece of work on the Russian Avant-Garde.

  • The book is rich in showcasing and reproducing the Russian Avant-Garde books. In some, it included reproduction of contents of some of the books. For those who miss the exhibition from which this book springs forth, it is a wonderful and well-documented catalog.
    The book also contains the exhibition's division of the Soviet book era into three different times, each accompanied by one or several essays. Like any good book, it is also preceded by a general discussion of bookarts, and the difference between livre d'artiste and artist's book.
    To the contemporary eyes, some of the books featured may not be anything special, but by putting them in context of the time, one will see the daring nature and the revolutionary spirit of these books and their makers.

  • This book is the best anthology of Constructivist design I have seen.

    But if you want good reproductions of Constructivist painting than this book is not for you.

  • This companion volume to a major MoMA exhibition is a treasury for graphic designers and bibliophiles, but it also provides a fascinating portrait of artists who began by spitting in the eye of the bourgeosie, became zealous stalwarts of the revolution, and finally reverted to the status of outsiders, as StalinÕs apparatchiks snuffed out every trace of invention. The earliest work has a child-like spontaneityÑcrude sketches on cheap paper illustrating tiny editions of poetsÕ work. ThereÕs a gradual shift to abstraction in the work of such masters as El Lissitsky and Rodchenko, and finally a slide into the banality of socialist realism. A fascinating portrait of artistic struggle and defeat.

  • This is a hefty volume a large thick 8vo, which is worth every penny spent on it. It's a visual delight, and jam-packed with alot of images, you will not be disappointed.