Request PDF On Jan 1, 2016, Amy Golahny and others published The Wake of Iconoclasm: Painting the . In the second decade of the 18th century he painted an altar painting for the church of Saint Michael in Kostanje

In the second decade of the 18th century he painted an altar painting for the church of Saint Michael in Kostanje. This painting was later removed from the church and stored in the attic of the parish house. Unfavourable conditions in which it was stored. resulted in extensive damage.

The Wake of Iconoclasm book. Investigating this paradox, The Wake of Iconoclasm takes as its main subject the numerous paintings of austere Calvinist church interiors that proliferated in the seventeenth century. Painstakingly crafted and highly naturalistic images of interiors, these peculiar paintings show spaces that were purged of visual imagery during and after the iconoclast riots of the sixteenth century. In essence, they depict the interface of the histories of art and religion.

Seventeenth-century Dutch church paintings have been the subject of much art-historical inquiry, and this handsomely . Some of the included illustrations are rarely reproduced in the earlier literature, particularly in such high quality. Historians of Netherlandish Art.

Seventeenth-century Dutch church paintings have been the subject of much art-historical inquiry, and this handsomely produced volume makes a valuable contribution to the discussion. Vanhaelen, a recognized specialist in this area, explores the connection between church paintings and contemporary religious thought-not just Calvinism, but also Roman Catholicism and even Islam.

In describing the seventeenth-century Dutch Republic, Johan Huizinga said, Paintings could be found everywhere . everywhere except in churches. Although pictures were ubiquitous in the Dutch world, the official religion expressed a fundamental distrust of visual imagery.

Together, let's build an Open Library for the World. painting the church in the Dutch republic. Published 2012 by Pennsylvania State University Press in University Park, Pa. Written in English.

Keywords: wake, Angela Vanhaelen, iconoclasm, Dutch Republic, church, painting. Cultuur in de Nederlanden in interdisciplinair perspectief".

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Her book, The Wake of Iconoclasm: Painting the Church in the Dutch Republic (Penn State University Press, 2012) was awarded the . Professor Vanhaelen specializes in the study of early modern art and cultural studies.

Her book, The Wake of Iconoclasm: Painting the Church in the Dutch Republic (Penn State University Press, 2012) was awarded the Roland H. Bainton Book Prize by the Sixteenth Century Society and Conference. Publications Books The Wake of Iconoclasm: Painting the Church in the Dutch Republic University Park, PA: Pennsylvania State University Press, 2012; pp. 232; 27 colour, 29 b/w illustrations. Comic Print and Theatre in Early Modern Amsterdam: Gender, Childhood and the City.

The Wake of Iconoclasm: Painting the Church in the Dutch Republic (University Park: Pennsylvania State University Press, 2012), pp. 85-86, fig. 26. Liedtke, Walter. Dirck van Delen's 'Solomon Receiving the Queen of Sheba' of 1642. Cantor Arts Center Journal 7 (2010-2011), pp. 19-20, fig. 2. Dikken, Charlotte.

Explores the relationship between art and religion after the iconoclasm of the Dutch Reformation

Explores the relationship between art and religion after the iconoclasm of the Dutch Reformation. Reassesses Dutch realism and its pictorial strategies in relation to the religious and political diversity of the Dutch cities"-Provided by publisher.