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ePub Ernst Meissonier and Art for the French Bourgeoisie: Master in his Genre download

by Constance Hungerford

ePub Ernst Meissonier and Art for the French Bourgeoisie: Master in his Genre download
Author:
Constance Hungerford
ISBN13:
978-0521632409
ISBN:
0521632404
Language:
Publisher:
Cambridge University Press; 1st Edition edition (March 28, 1999)
Category:
Subcategory:
History & Criticism
ePub file:
1974 kb
Fb2 file:
1152 kb
Other formats:
mobi lit rtf lrf
Rating:
4.3
Votes:
738

Examining his art in detail, Constance Cain Hungerford follows Meissonier's formation as a wood-engraving designer, to his virtuoso production of small scale genre scenes, his larger battlefield paintings, and his several images of modern revolution and war. Also analyzed is th. .

Examining his art in detail, Constance Cain Hungerford follows Meissonier's formation as a wood-engraving designer, to his virtuoso production of small scale genre scenes, his larger battlefield paintings, and his several images of modern revolution and war. Also analyzed is the state-administered exhibition system, in which Meissonier excelled, as well as the developing art market, in both Europe and the United States.

Constance Hungerford. This study documents the career of one of the most widely-known French artists of the nineteenth century. The embodiment of mainstream taste, Jean-Louis-Ernst Meissonier was scorned by the avant-garde but was highly regarded by his middle-class clientele for his jewel-like genre paintings. Examining his art in detail, Constance Cain Hungerford follows Meissonier's formation as a wood-engraving designer, to his virtuous production of small scale genre scenes, his larger battlefield paintings, and his several images of modern revolution and war.

Examining his art in detail, Constance Cain Hungerford follows Meissonier's formation as a wood-engraving . Highly recommended for scholars interested in French and non-French artists of the 19th-century genre.

Jean Louis Ernest Meissonier (French, 1815-1891). The poet signed with monogram (lower left); stamped with the vente stamp on reverse oil on panel 11 1/8 x 14 3/4in (2. x 3. cm). Provenance Artist's studio sale, 12-20 May 1893, no. 31; Sale, Christie's, New York, March 1, 1984, lot 56; Sale, Sotheby's, New York, 25 April 2006, lot 244; with Hirschl & Adler Galleries, In. New York; with Kurt E. Schon, Lt. New Orleans

Book: Ernest Meissonier and Art for the French Bourgeoisie: Master in his Genre eBook: The Judgment of Paris: The Revolutionary Decade that Gave the World Impressionism.

Book: Ernest Meissonier and Art for the French Bourgeoisie: Master in his Genre eBook: The Judgment of Paris: The Revolutionary Decade that Gave the World Impressionism. James Gurney at Thursday, February 16, 2012. James Gurney February 16, 2012 at 11:40 AM. Tom, you're right - it's small, but it's large for Meissonier, whose Salon paintings were often as tiny as 8x10 inches. They had to post a guard next to his paintings to keep his fans from brawling and pushing each other! It seems you can make a big impression at exhibition with either a huge painting or a tiny one. ENB, Friedland blew me away, too. It's unbelievably detailed, and even larger.

3 Constance Cain Hungerford, Ernest Meissonier: Master in his Genre (New York: Cambridge . entirely different tones.

entirely different tones. The dull colors chosen by the artist and the absolutely lack of implied movement in The Barricade radiate a sense of finality and totality to the defeat of the rebels depicted in this image.

Dr. Constance Hungerford believes that the model used for the figure of Napoléon in the present study is actually Meissonier himself.

Hungerford, Ernest Meissonier Master in his Genre, Cambridge, 1999, p, 129, fig. 58, illustrated, as Meissonier as Napoléon. Dr. A visitor to Meissonier’s home in 1862 observed the artist wearing a replica he had commissioned of Napoléon’s overcoat and sitting on a saddle over a wooden trestle to simulate a horse and sketching himself from a mirror.

Ernest Meissonier was a French painter and sculptor, who represented Academic Art and Realism movements. In his early years, Meissonier spent much time making illustrations for the publishers Curmer and Hetzel

Ernest Meissonier was a French painter and sculptor, who represented Academic Art and Realism movements. He painted on military and historical themes. In his early years, Meissonier spent much time making illustrations for the publishers Curmer and Hetzel. In 1831, he took part in Salon (Paris), where he exhibited his painting "Les Bourgeois Flamands" (Dutch Burghers), but also known as "The Visit to the Burgomaster", which was subsequently purchased by Sir Richard Wallace.

Jean-Louis-Ernest Meissonier (French: ; 21 February 1815 – 31 January 1891) was a French Classicist painter and sculptor famous for his depictions of Napoleon, his armies and military themes. He documented sieges and manoeuvres and was the teacher of Édouard Detaille. Meissonier enjoyed great success in his lifetime, and was acclaimed both for his mastery of fine detail and assiduous craftsmanship.

Explore the Art of Ernest Meissonier and other works from related cultures. Jean-Louis Ernest Meissonier was a leading French Classicist painter and sculptor famous for his depictions of Napoleon, his armies and military themes. Photo of the French artist Ernest Meissonier (1815-1891). Study of a horse Jean-Louis-Ernest Meissonier Wholesale Oil Painting China Picture Frame 59885. Study of a horse, Jean-Louis-Ernest Meissonier.

This study documents the career of one of the most widely known French artists of the nineteenth century. The embodiment of mainstream taste, Jean-Louis-Ernest Meissonier was scorned by the avant garde but was highly regarded by his middle-class clientele for his jewel-like genre paintings. Examining his art in detail, Constance Cain Hungerford follows Meissonier's formation as a wood-engraving designer, to his virtuoso production of small scale genre scenes, his larger battlefield paintings, and his several images of modern revolution and war. Also analyzed is the state-administered exhibition system, in which Meissonier excelled, as well as the developing art market, in both Europe and the United States.