Robert Indiana's paintings are quintessential pop art. His fascination with letters and numbers, billboards.

Robert Indiana's paintings are quintessential pop art. John Wilmerding is professor of american art at Princeton University; Joachim Pissarro is curator in the department of painting and sculpture at the Museum of Modern Art, New York; Robert Pincus-Witten is a highly regarded art critic and art historian; Peter Halley is a well-established painter.

Details (if other): Cancel. Thanks for telling us about the problem. Robert Indiana: The Artist and His Work 1955 - 2005. by. John Wilmerding (Contributor). Robert Indiana's paintings are quintessential pop art. John Wilmerding; Contributor-Joachim Pissarro; Contributor-Robert Pincus-Witten; Contributor-Peter Halley. Published by Rizzoli (2006)

Robert Indiana's paintings are quintessential pop art. His fascination with letters and numbers, billboards, and other vernacular signage has resulted in some of the most iconic images in modern American art. Indiana's famous LOVE paintings and sculptures are perhaps his most well-known works. Now, in this long-awaited survey of Indiana's art and designs, three leading art historians examine the different periods of his life and oeuvre. Published by Rizzoli (2006). ISBN 10: 0847828700 ISBN 13: 9780847828708. The volume includes his pop culture rootsA?A?A his early paintings of road signs, pinball machines, the "American Dream"A?A?A as well.

By John Wilmerding (Author), Joachim Pissarro (Contributor), Robert Pincus-Witten (Contributor) and Peter .

By John Wilmerding (Author), Joachim Pissarro (Contributor), Robert Pincus-Witten (Contributor) and Peter Halley (Contributor). His fascination with letters and numbers, billboards, and . Robert Indiana is a leading American pop artist and is best known for his 'Love' designs which adorn galleries and other public places

Robert Indiana's paintings are quintessential pop art. His fascination with letters and numbers, billboards, and other vernacular signage has resulted in some o. .Robert Indiana is a leading American pop artist and is best known for his 'Love' designs which adorn galleries and other public places. This text is a survey of his work, and contains 200 colour illustrations as well as personal writings and photographs from Indiana's private collection.

His latest book, authored with art critic David Carrier, is called Wild Ar. A conversation: Tim Eitel and Joachim Pissarro, Tim Eitel, Invisible Forces, PaceWildenstein, New York, 2010.

His latest book, authored with art critic David Carrier, is called Wild Art. Pissarro was curator at the Museum of Modern Art’s Department of Painting and Sculpture from 2003 to 2007. The Love of Painting (with Mara Hoberman), Robert Indiana: Rare Works from 1959 on Coenties Slip, Galerie Gmurzynska, Zurich, 2011. A Sea of Meanings: Drawings by Robert Morris, Robert Morris: Drawings 1961, Craig F. Starr Gallery, New York, 2011.

Robert Indiana: The Artist and His Work 1955-2005 (Rizzoli, 2006). Tom Wesselmann: His Voice and Vision (Rizzoli, 2008). The Pop Object: The Still Life Tradition in Pop Art (Rizzoli, 2013). a b "American Masters from Bingham to Eakins: The John Wilmerding Collection". National Gallery of Art.

Susan Elizabeth Ryan, Robert Indiana: Figures of Speech (2000); Robert Hobbs, Robert Indiana: Complete Work (2004); John Wilmerding and Joachim Pissarro, Robert Indiana: The Artist and His Work, 1955–2005 (2006). Indic writing systems. Look at other dictionaries: Indiana,Robert - Indiana, Robert.

With John Wilmerding) Robert Indiana: The Artist and His Work . Many of his books concern the life, career, and works of his famous relative.

With John Wilmerding) Robert Indiana: The Artist and His Work, 1955-2005, Rizzoli (New York, NY), 2006. Cezanne/Pissarro, Johns/Rauschenberg: Comparative Studies on Intersubjectivity in Modern Art, Cambridge University Press (Cambridge, England), 2006. Joachim Pissarro's writings in this book "demonstrate how Pissarro and Cezanne valued the relation between art and labor, viewing themselves as workers" rather than as members of an elite class of artist or creator, Rubin stated.