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by Jose Luiz Martinez

ePub Semiosis in Hindustani Music (Performing arts series) download
Author:
Jose Luiz Martinez
ISBN13:
978-8120818019
ISBN:
8120818016
Language:
Publisher:
Motilal Banarsidass; 1st Indian ed edition (January 1, 2001)
Category:
Subcategory:
Music
ePub file:
1101 kb
Fb2 file:
1806 kb
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Rating:
4.3
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632

Martinez, Semiosis in Hindustani Music. Thompson, G. (1999) Martinez, Semiosis in Hindustani Music. In: Ethnomusicology, Vol. 43, No. 2, pp. 371-373.

Martinez, Semiosis in Hindustani Music.

In the light of Martinez& theories, Hindustani music reveals itself to be both a delightfully sensuous and highly sophisticated . Semiosis in Hindustani Music Music and Dance Series (Том 15) Performing arts series (Том 9). Автор.

In the light of Martinez& theories, Hindustani music reveals itself to be both a delightfully sensuous and highly sophisticated system of acoustic representations. Motilal Banarsidass Publ.

Semiosis in Hindustani Music. What happens inside the performers brain when he is performing and composing a particular raga. Article in Asian Folklore Studies 43(2) · January 2002 with 47 Reads. How we measure 'reads'. Music in the Indian subcontinent has been a source of aesthetic delight from time immemorial. From the time of Bharata's Natyashastra, there have been a number of treatises which speak in favor of the various rasas (emotional experiences) that are conveyed by the different forms of musical performances.

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Hindustani Music and the Aesthetic Concept of Form. Musical Semiosis and the Rasa Theory. Anjali Mittal - 2000. Aesthetical Essays: Studies in Aesthetic Theory, Hindustani Music, and Kathak Dance. Hindustani Sangeet and a Philosopher of Art: Music, Rhythm, and Kathak Dance Vis-À-Vis Aesthetics of Susanne K. Langer. Sushil Kumar Saxena - 2001 - . Bhåaratåiya Saçngåita Meòm Alaçnkåara. José Luiz Martinez - 1996 - In Eero Tarasti, Paul Forsell & Richard Littlefield (ed., Musical Semiotics in Growth. International Semiotics Institute. pp. 99. Icons in Music: A Peircean Rationale.

Semiosis in Hindustani Music book. José Luiz Martinez (b. 1960) is a Brazilian music semiotician and composer.

Semiosis in Hindustani music Jose Luiz Martinez. Semiosis in Hindustani music Jose Luiz Martinez. Download PDF book format. Choose file format of this book to download: pdf chm txt rtf doc. Download this format book. Book's title: Semiosis in Hindustani music Jose Luiz Martinez. Library of Congress Control Number: 2001413672. 9. Bibliography, etc.

Author of Semiosis in Hindustani Music, Jose Luiz Martinez. Conference on Improvisation in Music at the National Centre for Performing Arts, Bombay, January 2006. Sadly - just heard that he died a couple of weeks back of an apparent heart attack. Taken on January 13, 2006. By. Jose Liuz Martinez. For thousands of years music in India has been considered a signifying art. Indian music creates and represents meanings of all kinds, some of which extend outwardly to the cosmos, while others arise inwardly, in the refined feelings which a musical connoisseur experiences when listening to it. The evolution of the rasa system as applied to musical structures is traced historically and analyzed semiotically.

Martinez, Jos� Luiz (1996). Semiotica 110 (1/2), 57-86. Semiosis in Hindustani Music. Acta Semiotica Fennica 5. Imatra: International Semiotics Institute. Nijenjuis, Emmie (1976). The Ragas of Somanatha. In Orientalia Rheno-Traiectina.

For thousands of years music in India has been considered a signifying art. Indian music creates and represents meanings of all kings, some of which extend outwardly to the cosmos, while others arise inwardly, in the refined feelings which a musical connoisseur experiences when listening to it. In this book the author explores signification in Hindustani classical music along a two-fold path. Martinez first constructs a theory of musical semiotics based on the sign-theories of Charles Sanders Peirce. He then applies his theory to the analysis of various types of Hindustani music and how they generate significations. The author engages such fundamental issues as sound quality, raga, tala and form, while advancing his unique interpretations of well-known semiotic phenomena like iconicity, metalanguage, indexicality, symbolism, Martinez`s study also provides deep insight into semiotic issues of musical perception, performance, scholarship, and composition. An specially innovative and extensive section of the book analyzes representations in Hindustani music in terms of the Indian aesthetic theory of rasa. The evolution of the rasa system as applied to musical structures is traced historically and analyzed semiotically. In the light of Martinez`s theories, Hindustani music reveals itself to be both a delightfully sensuous and highly sophisticated system of acoustic representations.