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ePub Labyrinth of Hybridities: Avatars of O’Neillian Realism in Multi-ethnic American Drama (1972-2003) (Dramaturgies) download

by Marc Maufort

ePub Labyrinth of Hybridities: Avatars of O’Neillian Realism in Multi-ethnic American Drama (1972-2003) (Dramaturgies) download
Author:
Marc Maufort
ISBN13:
978-9052010335
ISBN:
9052010331
Language:
Publisher:
P.I.E-Peter Lang S.A., Éditions Scientifiques Internationales; New edition edition (August 6, 2010)
Category:
Subcategory:
Performing Arts
ePub file:
1236 kb
Fb2 file:
1181 kb
Other formats:
docx mbr lrf txt
Rating:
4.4
Votes:
138

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Find many great new & used options and get the best deals for Labyrinth of Hybridities: Avatars of O'Neillian Realism in. .Textes, Cultures Et Representations. Texts, Cultures and Performances). Author:-Maufort Marc. Read full description. See details and exclusions.

Textes, Cultures Et Representations.

book by Marc Maufort

book by Marc Maufort. Taking its cue from Eugene O'Neill's questioning of ?faithful realism?, voiced by Edmund Tyrone in Long Day's Journey into Night, this book examines the distant legacy of the Irish American playwright in contemporary multiethnic drama in the . It explores the labyrinth of formal devices through which African American, Latina/o, First Nations, and Asian American dramatists have unconsciously. reinterpreted O'Neill's questioning of mimesis.

Taking its cue from Eugene O'Neill's questioning of faithful realism, voiced by Edmund Tyrone in Long Day's Journey into Night, this book examines the distant legacy of the Irish American playwright in contemporary multiethnic drama in the . In their works, hybridizations of stage realism function as aesthetic celebrations of the spiritual potentialities.

Labyrinth of Hybridities: Avatars of O'Neillian Realism in Multi-ethnic American Drama (1972-2003) more. All in all, Labyrinth of Hybridities invites its readers to reassess the cross-cultural patterns characterizing the history of twentieth century American drama. by Marc Maufort more.

Hokti is published in Stories of Our Way: An Anthology of American Indian Plays, UCLA American Indian Studies Center .

Hokti is published in Stories of Our Way: An Anthology of American Indian Plays, UCLA American Indian Studies Center 1999. Her play Ghost Dance has been performed at public readings at the Gilcrease Museum, Tulsa, Oklahoma (2001); Tulsa University, Tulsa, Oklahoma (2002); American Indian Community House, New York, New York (2003). It has been performed with acting workshops in Lawton, Oklahoma. In spring 2004 the full-length drama was produced by the Institute of American Indian Arts, Drama Department.

Labyrinth of Hybridities: Avatars of O'Neillian Realism in Multi-ethnic American Drama (1972-2003) .In the book's third chapter, "'Truth Is What We Hear in Our Stories': Reinventing Realism in First Nations Drama," the author focuses on how Native American dramatists employ O'Neill's common themes of doubtful identity and loss of belonging within close-knit families or communities. Maufort argues that these playwrights critique American materialism as an obstacle to their characters' happiness.

All in all, Labyrinth of Hybridities invites its readers to reassess the cross-cultural patterns characterizing the history of twentieth century American drama.

Marc Maufort is Professor of English, American .

Marc Maufort is Professor of English, American and postcolonial literatures at the Universite Libre de Bruxelles (ULB, Belgium). Postcolonial Hybridizations of Dramatic Realism (2003), and Labyrinth of Hybridities. Avatars of O'Neillian Realism in Multi-ethnic American Drama (1972-2003) (2010).

Taking its cue from Eugene O’Neill’s questioning of «faithful realism», voiced by Edmund Tyrone in Long Day’s Journey into Night, this book examines the distant legacy of the Irish American playwright in contemporary multiethnic drama in the U.S. It explores the labyrinth of formal devices through which African American, Latina/o, First Nations, and Asian American dramatists have unconsciously reinterpreted O’Neill’s questioning of mimesis. In their works, hybridizations of stage realism function as aesthetic celebrations of the spiritual potentialities of cultural in-betweenness. This volume provides detailed analyses of over forty plays authored by such key artists as August Wilson, Suzan-Lori Parks, José Rivera, Cherríe Moraga, Hanay Geiogamah, Diane Glancy, David Henry Hwang, and Chay Yew, to give only a few prominent examples. All in all, Labyrinth of Hybridities invites its readers to reassess the cross-cultural patterns characterizing the history of twentieth century American drama.