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ePub Photography: A Critical Introduction download

by Liz Wells

ePub Photography: A Critical Introduction download
Author:
Liz Wells
ISBN13:
978-0415125598
ISBN:
0415125596
Language:
Publisher:
Routledge (December 10, 1996)
Category:
Subcategory:
Photography & Video
ePub file:
1814 kb
Fb2 file:
1318 kb
Other formats:
docx lrf lrf txt
Rating:
4.4
Votes:
972

This book is a textbook that examines photography not from the point of technique, or learning how to read a photograph, but from the point of view of the social sciences and philosophy

ISBN-13: 978-0415307048. This book is a textbook that examines photography not from the point of technique, or learning how to read a photograph, but from the point of view of the social sciences and philosophy. It is primarily aimed at British society, but its lessons are applicable anywhere pictures are made. Many photographers will recognize the discussion of the truth of digital photography as opposed to film photography, but I wonder how many have considered how family photographs may actually shape family dynamics.

This book aimed to remedy the absence of a good, coherent introduction to issues in photography theory, and resulted from the frustrations of teaching without the benefit of a succinct introductory textbook.

Goodreads helps you keep track of books you want to read. Start by marking Photography: A Critical Introduction as Want to Read: Want to Read savin. ant to Read.

Photography: A Critical Introduction was the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts, and is now established as one of the leading textbooks in its field.

by Liz Wells, accepts this challenge and steeps. the reader in a thorough understanding of the. field’s major philosophical players, including.

Photography: A Critical Introduction. Psychology Press, 2000 - 384 стор. Surveying the spectrum of photography from the mid-nineteenth century to the present, Photography: A Critical Introductionis the first book to examine key debates in photographic theory and place them in their proper social and political contexts

Liz Wells' book provides an excellent point of entry into the complex theoretical terrain of photography studies .

Liz Wells' book provides an excellent point of entry into the complex theoretical terrain of photography studies, guiding students through critical debates towards an informed understanding of key domains of photographic practice.

Photography: A Critical Introduction Thinking About Photography, What is this lecture about? . Her book is an attempt at a sweeping critique of everything photographic.

Photography: A Critical Introduction Thinking About Photography, What is this lecture about? – Debates and key writings on photography. Changing ideas about photography. Her interests range widely from detailed analyses of individual photographers to why people fear having their photographs taken; from historical development in photographic equipment to why people take pictures of any and everything: tourist to scientist, artist to technician, surveillance photography to medical examinations.

Photography: A Critical Introduction was the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts, and is now established as one of the leading textbooks in its field

Photography: A Critical Introduction was the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts, and is now established as one of the leading textbooks in its field. Individual chapters cover: Key debates in photographic theory and history.

Photography: A Critical Introduction Wells Liz Taylor&Francis 9780415854290 : Photography: A Critical .

Photography: A Critical Introduction Wells Liz Taylor&Francis 9780415854290 : Photography: A Critical Introduction was the first introductory textbook to examine key debates in ph. Photography: A Critical Introduction was the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts, and is now established as one of the leading textbooks in its field. Individual chapters cover

This is the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts. Written especially for students in further and higher education, it provides a coherent introduction to the nature of photographic seeing. Individual chapters cover key debates and theorists; the documentary role of the camera; the popular and personal with particular attention to the family album; advertising and commodity culture; photography as fine art and photography and digital imaging. Designed to direct students of photography to key reading and assist the understanding of key terms, a list of resources which includes archives and galleries and a comprehensive bibliography. It is lavishly illustrated with over 80 illustrations. Among these are key nineteenth-century photographers Camille Silvy and Peter Henry Emerson; documentary photographers Frank Sutcliffe and Dorothea Lange; images from Victorian and family albums; early product advertising form Kodak and contemporary fashion photography from Benetton; computer generated images and a NASA satellite image of earth; images from famous artists such as Alexander Rodchenko, Bill Brandt and Lee Miller.