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by Alberto Pérez-Gómez,Stephen Parcell

ePub Chora 3: Intervals in the Philosophy of Architecture download
Author:
Alberto Pérez-Gómez,Stephen Parcell
ISBN13:
978-0773517127
ISBN:
077351712X
Language:
Publisher:
McGill-Queen's University Press (March 30, 1999)
Category:
Subcategory:
Engineering
ePub file:
1527 kb
Fb2 file:
1970 kb
Other formats:
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Rating:
4.4
Votes:
541

CHORA 3 is an unusually stimulating collection to which I will return over and over. This is an important volume to historians and theorists of architecture and anyone interested in issues of space, body, and architectural meaning

CHORA 3 is an unusually stimulating collection to which I will return over and over. This is an important volume to historians and theorists of architecture and anyone interested in issues of space, body, and architectural meaning. I strongly recommend i. Karsten Harries, Department of Philosophy, Yale University.

Perez Gomez, Alberto - Продолжительность: 1:54:44 arkitekturNO Recommended for yo. Le Corbusier's "Toward an Architecture" - Продолжительность: 1:20:26 NYUAD Institute Recommended for you. 1:20:26.

Perez Gomez, Alberto - Продолжительность: 1:54:44 arkitekturNO Recommended for you. 1:54:44.

Series: CHORA: Intervals in the Philosophy of Architecture. THE BIBLICAL DESCRIPTION of the Temple of Solomon in Jerusalem has generated many diverse architectural speculations throughout our history. Published by: McGill-Queen's University Press.

Alberto Pérez-Gomez, Stephen Parcell. McGill-Queen's Press - MQUP, 2004 M07 5 - 392 pages. The Glass Architecture of Fra Luca Pacioli. 245. The Exemplary Life of an Architect. Essays in this group include a discussion of the accomplishments of Gordon Matta-Clark, a reading of Alfred Hitchcock's Rear Window, and an analysis of the implications of ethical/formal questions in the work of Ludwig Wittgenstein for architecture. 287. Ranelagh Gardens and the Recombinatory Utopia of Masquerade.

Alberto Pérez-Gómez (born 24 December 1949) is an eminent architectural historian. He is also well known as an theorist with an orientation rooted in a phenomenological approach to architecture. Born December 24, 1949, in Mexico City he graduated as an engineer and architect from the National Polytechnic Institute of Mexico. Afterwards he did postgraduate work at Cornell University.

Start by marking Chora 3: Intervals in the Philosophy of Architecture as Want to Read: Want to Read savin. ant to Read.

Joanna Merwood and Caroline Dionne both articulate possibilities for architecture emerging in the wake of the final disintegration of a Western cosmological picture.

McGill-Queen’s University Press Montreal & Kingston, London, Ithaca. ch o r a is a publication of the History and Theory of Architecture graduate program at McGill University, Montreal, Canada. manag i n g e d i to r Alberto Pérez-Gómez e d i tors Alberto Pérez-Gómez, McGill University Stephen Parcell, Dalhousie University advi s o ry b oa r d Ricardo L. Castro, McGill University Jose dos Santos Cabral. Joanna Merwood and Caroline Dionne both articulate possibilities for architecture emerging in the wake of the final disintegration of a Western cosmological picture.

Электронная книга "Chora 3: Intervals in the Philosophy of Architecture", Alberto Pérez-Gómez, Stephen Parcell. Эту книгу можно прочитать в Google Play Книгах на компьютере, а также на устройствах Android и iOS. Выделяйте текст, добавляйте. Выделяйте текст, добавляйте закладки и делайте заметки, скачав книгу "Chora 3: Intervals in the Philosophy of Architecture" для чтения в офлайн-режиме.

Alberto Perez-Gomez, Stephen Parcel. The thirteen essays in this collection include historical subjects as well as speculative theoretical "projects" that blur conventional boundaries between history and fiction. The thirteen essays in this collection include historical subjects as well as speculative theoretical "projects" that blur conventional boundaries between history and fiction

Alberto Pérez-Gómez, Stephen Parcell. McGill-Queen's Press - MQUP, 19 сент.

Alberto Pérez-Gómez, Stephen Parcell. Donald Kunze and Stephen Parcell consider possibilities of meaningful architectural space for a visual culture, continuing themes they addressed in Chora 1. Further reflections on the spaces of literature, cinema, and architecture include an interview with French writer and film maker Alain Robbe-Grillet and articles by Dagmar Motycka Weston on the surrealist city, Tracey Eve Winton on the museum as a paradigmatic. modern building, and Terrance Galvin on spiritual space in the works of Jean Cocteau.

The thirteen essays in this collection include historical subjects as well as speculative theoretical "projects" that blur conventional boundaries between history and fiction. Ricardo Castro provides an original reading of the Kogi culture in Colombia; Maria Karvouni explores philological and architectonic connections between the Greek demas (the political individual) and domus (the house); Mark Rozahegy speculates on relationships between architecture and memory; Myriam Blais discusses technical inventions by sixteenth-century French architect Philibert de l'Orme; Alberto Pérez-Gómez examines the late sixteenth-century reconstruction of the Temple of Jerusalem by Juan Bautista Villalpando; Janine Debanné offers a new perspective on Guarino Guarini's Chapel of the Holy Shroud in Turin; Katja Grillner examines the early seventeenth-century writings of Salomon de Caus and his built work in Heidelberg; David Winterton reflects on Charles-François Viel's "Letters"; Franca Trubiano looks at Jean-Jacques Lequeu's controversial Civil Architecture; Henrik Reeh considers the work of Sigfried Kracauer, a disciple of Walter Benjamin; Irena ðantovská Murray reflects on work by artist Jana Sterbak; artist Ellen Zweig presents a textual project that demonstrates the charged poetic space created by film makers such as Antonioni and Hitchcock; and Swedish writer and architect Sören Thurell asks a riddle about architecture and its mimetic origins. The essays in this volume demonstrate a reconciliatory architecture that respects cultural differences, acknowledges the globalization of technological culture, and points to a referent other than itself.