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ePub A Clockwork Orange A Play with Music download

by Anthony Burgess

ePub A Clockwork Orange A Play with Music download
Author:
Anthony Burgess
ISBN13:
978-0091683818
ISBN:
0091683815
Language:
Publisher:
Norton; Reprint edition (1987)
Category:
Subcategory:
Contemporary
ePub file:
1518 kb
Fb2 file:
1942 kb
Other formats:
mobi rtf mbr lit
Rating:
4.2
Votes:
194

W. w. norton & company. Let me put the situation baldly. A Clockwork Orange has never been published entire in America.

W. The book I wrote is divided into three sections of seven chapters each.

A Clockwork Orange is a dystopian satirical black comedy novel by English writer Anthony Burgess, published in 1962. It is set in a near-future society that has a youth subculture of extreme violence. The teenage protagonist, Alex, narrates his violent exploits and his experiences with state authorities intent on reforming him. The book is partially written in a Russian-influenced argot called "Nadsat", which takes its name from the Russian suffix that is equivalent to '-teen' in English

A Clockwork Orange has never been published entire in America.

A Clockwork Orange (UK Version). I first published the novella A Clockwork Orange in 1962, which ought to be far enough in the past for it to be erased from the world's literary memory. It refuses to be erased, however, and for this the film version of the book made by Stanley Kubrick may be held chiefly responsible. I should myself be glad to disown it for various reasons, but this is not permitted.

This book has been the basis for some highly iconic scenes in cinema, and it's easy to see why it's such a famous book. The story takes place is run-down version of London, following Alex, a gang leader whose two loves are gratuitous violence and classical music. After a robbery gone bad, Alex ends us a test subject for a new treatment to turn bad men good. Burgess has developed a style on his own to write this book

In this 1973 recording, author Anthony Burgess gives a masterful performance of Chapter One of his dystopian novel, A Clockwork Orange.

In this 1973 recording, author Anthony Burgess gives a masterful performance of Chapter One of his dystopian novel, A Clockwork Orange. Burgess was a linguist and a polyglot, as well as an author, and the dialect he created for his teenage protagonist bursts forth in a seemingly effortless flow. com/hcaudiopres?i. etailer apple or Audible ad. arpercollins. ailer audible. Burgess A CLOCKWORK ORANGE dystopian novel linguist polyglot author dialect teenage protagonist HarperAudio Presents Audiobook

A CLOCKWORK ORANGE (UK Version). by ANTHONY BURGESS Contents. Anthony Burgess was born in Manchester in 1917 and was a graduate of the University there. Introduction (A Clockwork Orange Resucked) Part 1. Part. After six years in the Army he worked as an instructor for the Central Advisory Council for Forces Education, as a lecturer in Phonetics and as a grammar school master. From 1954 till 1960 he was an education officer in the Colonial Service, stationed in Malaya and Brunei. He has been called one of the very few literary geniuses of our time. Certainly he borrowed from no other literary source than himself.

A Clockwork Orange is Anthony Burgess’s most famous novel and its impact on literary, musical and visual culture has been extensive. The novel is concerned with the conflict between the individual and the state, the punishment of young criminals, and the possibility or otherwise of redemption. The linguistic originality of the book, and the moral questions it raises, are as relevant now as they ever were. A Clockwork Orange on film. A Clockwork Orange on stage. The Music of A Clockwork Orange. A Clockwork Orange and Nadsat.

Anthony Burgess's stage play of his infamous cult novel and film of the same nameA Clockwork Orange is the story of Alex . Anthony Burgess (1917-1993) was a novelist, poet, playwright, composer, linguist, translator and critic. He is best known for his novel A Clockwork Orange.

Anthony Burgess's stage play of his infamous cult novel and film of the same nameA Clockwork Orange is the story of Alex and his teenage gang, "The Droogs", their life of rape and murder, and "ultraviolence", and the moral dilemma that arises when Alex is brainwashed into good-citizenship. Bibliographic information. A Clockwork Orange: Play with Music Modern Plays.

Trade paperback.
  • Easily one of the best books around. I got around to it a bit late in life I feel like but better late than never. First and foremost, the main character Alex is the biggest draw in. His attitude of trying to get what he wants by any means necessary regardless of who it hurts is something that makes a unique and interesting protagonist. The language of the book is also very well crafted, pretty sure I'm going to be calling milk "moloko" for the rest of my life now. The way the book speaks on juveniles is fascinating to think about and the way it can apply today years after this book been published. I've met all kinds of kids who were up to the wrong things and how they were handled after they got caught and this book really goes into that. It makes you think, "can people like 'Alex' really be corrected from there ways on immediate apprehension or do they simply grow out of it?" Any book that makes you ask big questions about the world around you is clearly a good read.

    This book is very "adult" and I can't recommend it to anyone that is too young. I would say maybe high school age is the youngest someone should read it.

    Bought both the Hardcover and Paperback editions. Really like the hardcover because it looks exactly like the original version that was published when the book first came out. Paperback is fine but the material is very thin and slippery. So point being, it's an easy tear if you're not too careful.

  • A Clockwork Orange is Anthony Burgess's most famous novel, though you'll quickly find out that it isn't his favorite. This book has been the basis for some highly iconic scenes in cinema, and it's easy to see why it's such a famous book.

    The story takes place is run-down version of London, following Alex, a gang leader whose two loves are gratuitous violence and classical music. After a robbery gone bad, Alex ends us a test subject for a new treatment to turn bad men good.

    Burgess has developed a style on his own to write this book. The novel uses a massive amount of future slang that is at first super confusing. But after a few paragraphs, you'll be able to figure out what everything means. It certainly makes for an interesting experience.

    The introduction for this edition is also notable, in that it directly calls attention to the novels main flaw. Like I said, Burgess himself doesn't like this book that much, citing the fact that he felt his themes of free will and morality were to heavy handed. And they are. But I feel like the book is worth reading in spite of that.

  • Whether or not you consider this a nihilist novel all depends on whether you read the final (21st) chapter, which was omitted from the novel’s American edition when it was originally published. Then again, even after reading the 21st chapter, whether or not you consider this a nihilist novel could depend on your interpretation of that final chapter (sincere? ironic? deceptive? unreliable?).

    This intentionally ambiguous conclusion tops off the careful structure of the novel, which is divided into three sections, with the first and third providing mirrored bookends to the center section. In the first section, Alex (or Your Humble Narrator) and his droogs (who all speak a slang vernacular called Nadsat) wreak havoc among their community—attacking and beating a library patron, committing robbery, rape, and other heinous crimes. In the second section, Alex—after being arrested and imprisoned—undergoes a radical form of rehabilitation that conditions him against violence. In section three, Alex is released from prison after having been allegedly cured of his violent disposition. He then encounters all the victims of the crimes he committed in the first section. Throughout, Alex comments on the vapid meaninglessness of the world—his response to which will inform your understanding of the novel’s central themes, which in turn depends upon that final chapter.

    This novel has earned its reputation as a contemporary classic, if a book published more than 50 years ago can be considered contemporary. Its profundity eclipses its brief length (barely more than 200 pages); nihilistic or not, *A Clockwork Orange* confronts you with frightening questions about the human capacity for violence and human nature itself.

  • A Clockwork Orange is a classic novel at this point. I absolutely love this work of Anthony Burgess, as dark and twisted as it is. It is clearly full of social commentary, but the story does not get bogged down by it nor do I ever feel that it gets preachy. I personally really appreciate that the author does not insult his readers' intelligence and baby us through what every piece of the story's intrinsic deeper meaning is. He rather, lets it slowly unfold through the exciting events of the story and whether you grasp it or not is left up to you.

    The language used develops within the story itself and can take a minute to warm up to. The slang that Burgess invented for this novel is not explicitly defined for the reader and some of these words can take a few uses to catch on to, or did for me at least.

    This is a book to buy, not just borrow from the library or a friend because it gets better and the meaning deeper with each re-read. It is one that I have had since high-school and still go back to every few years and get something else out of it.

    **Trigger Warning/Content Warning** This book does contain ultra-violence and one scene is of a sexually violent nature. For me it was certainly not enough to negate the overall experience of the novel, but for some who are exceptionally upset by this it may be.