This is an amazingly in-depth, heavily detailed, and annotated exploration of Hemingway and the way his books related to places and things. It's not a biography, or simply an exploration of what his books meant. Rather, the focus is on both how he created them and the influence of his writing on others.

11 The Persistence of Memory and the Denial of Self in A Farewell to Arms Mark Cirino 149 12 The Currents of Memory: Hemingway’s Big Two-Hearted River as Metafiction Robert Paul Lamb 166 13 A Clean, Well-Lighted Place for Killing: Nostalgia in Hemingway’s Death in the Afternoon Emily O. Wittman 186 14 Memory in The Garden of Eden Barbara.

With this essay collection, Mark Cirino and Mark P. Ott have opened another set of fruitful paths into Hemingway's work

With this essay collection, Mark Cirino and Mark P. Ott have opened another set of fruitful paths into Hemingway's work. All readers will learn from this collection. Linda Wagner-Martin, Frank Borden Hanes Professor of English, The University of North Carolina-Chapel Hill. The contributors to Ernest Hemingway and the Geography of Memory employ an intriguing range of approaches to Hemingway's work, using the concept of memory as an interpretive tool to enhance understanding of Hemingway's creative process.

Mark Cirino, Mark P. Ott. Ernest Hemingway's work reverberates with a blend of memory, geography, and lessons of life revealed through the trauma of experience. Michigan, Italy, Spain, Paris, Africa, and the Gulf Stream are some of the most distinctive settings in Hemingway's short fiction, novels, articles, and correspondence. In his fiction, Hemingway revisited these sites, reimagining and transforming them. Travel was the engine of his creative life, as the recurrent contrast between spaces provided him with evidence of his emerging identity as a writer.

Ernest Hemingway's work reverberates with a blend of memory, geography, and lessons of life revealed through .

Ernest Hemingway's work reverberates with a blend of memory, geography, and lessons of life revealed through the trauma of experience.

Mark Cirino, Associate Professor of English, University of Evansville, USA. Show all. Table of contents (5 chapters).

Laura Godfrey's book, while illuminating Hemingway's notion of place, becomes an indispensable broader consideration of Hemingway's entire career. Mark Cirino, Associate Professor of English, University of Evansville, USA.

Ernest Hemingway avoided Hollywood, where many of his literary peers-notably William Faulkner and F. Scott Fitzgerald-were lured by easy money to write scripts. He felt that novelists who turned to screenwriting had to write as though you were looking through a camera lens. All you think about is pictures, when you ought to be thinking about people. Hemingway’s philosophy about Hollywood was to throw them your book, they throw you the money, then you jump into your car and drive like hell back the way you came.

Read Hemingway's Spain, by Carl P. EbyMark Cirino online on Bookmate – Ernest Hemingway famously called Spain "e;the country that I loved more than any other except my own,"e; and his forty-year lo. only full-length play, The Fifth Column; the Civil War documentary The Spanish Earth; and some of his finest short fiction, including "e;Hills Like White Elephants"e; and "e;A Clean, Well-Lighted Place.

Ernest Hemingway: Thought in Action (Studies in American Thought and Culture Series). Madison: U of Wisconsin P, 2012. Hawkins, Ruth A. Unbelievable Happiness and Final Sorrow: The Hemingway-Pfeiffer Marriage. Fayetteville: U of Arkansas P, 2012.

Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American journalist, novelist, short-story writer, and sportsman

Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American journalist, novelist, short-story writer, and sportsman. His economical and understated style-which he termed the iceberg theory-had a strong influence on 20th-century fiction, while his adventurous lifestyle and his public image brought him admiration from later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s, and he won the Nobel Prize in Literature in 1954