mostraligabue
» » Gender, Writing, and Performance: Men Defending Women in Late Medieval France (1440-1538) (Oxford Modern Languages and Literature Monographs)

ePub Gender, Writing, and Performance: Men Defending Women in Late Medieval France (1440-1538) (Oxford Modern Languages and Literature Monographs) download

by Helen J. Swift

ePub Gender, Writing, and Performance: Men Defending Women in Late Medieval France (1440-1538) (Oxford Modern Languages and Literature Monographs) download
Author:
Helen J. Swift
ISBN13:
978-0199232239
ISBN:
0199232237
Language:
Publisher:
Oxford University Press; 1 edition (May 15, 2008)
Category:
Subcategory:
History & Criticism
ePub file:
1327 kb
Fb2 file:
1709 kb
Other formats:
rtf azw txt doc
Rating:
4.6
Votes:
610

Gender, Writing and Performance: Men Defending Women in Late Medieval France, 1440-1538.

Helen J. Swift is Fellow and Tutor in Medieval French at St Hilda's College, Oxford.

Gender, Writing, and Performance book.

This book explores the poetics of literary defences of women written by men in late-medieval and early-modern .

This book explores the poetics of literary defences of women written by men in late-medieval and early-modern France. It fills an important lacuna in studies of this polemic in imaginative literature by bridging the gap between Christine de Pizan and a later generation of women writers and male, Neo-Platonist writers who have recently all received due critical attention.

Gender, Writing, and Performance : Men Defending Women in Late .

Gender, Writing, and Performance : Men Defending Women in Late Medieval France, 1440-1538. Helen Swift examines late-medieval and early-modern French imaginative literature written by men in defence of women of great popularity in its own time - including catalogues of virtuous women, allegorical narratives, and debate poems.

Verse Saints’ Lives Written in the French of England: Saint Giles by Guillaume de Berneville; Saint George by Simund de Freine;Saint Faith of Agen by Simon de Walsingham; Saint Mary Magdalene by Guillaume Le Clerc de Normandie. Translated, with Notes and Introduction by Delbert W. Russell. French of England in Translation Series, Medieval and Renaissance Texts and Studies, Tempe, Az: University of Arizon Press, forthcoming. Swift, Gender, Writing, and Performance: Men Defending Women in Late Medieval France, 1440–1538 . Swift, Gender, Writing, and Performance: Men Defending Women in Late Medieval France, 1440–1538 (Oxford: Clarendon, 2008), p. 2. oogle Scholar. CrossRefGoogle Scholar. And Woman His Humanity’: Female Imagery in the Religious Writing of the Later Middle Ages, in Gender and Religion: On the Complexity of Symbols, ed. Caroline Walker Bynum, Stevan Harrell, and Paula Richman (Boston: Beacon Press, 1986), p. 26.

This book explores the poetics of literary defences of women written by men in late-medieval and early-modern France. It fills an important lacuna in studies of this polemic in imaginative literature by bridging the gap between Christine de Pizan and a later generation of women writers and male, Neo-Platonist writers who have recently all received due critical attention. Whereas male-authored defences composed between 1440 and 1538 have previously been dismissed as "insincere" or "mere intellectual games," Swift formulates reading strategies to overcome such critical stumbling blocks and engage with the particular rhetorical and historical contexts of these works. Edited and as yet unedited texts by Martin Le Franc, Jacques Milet, Pierre Michault, and Jean Bouchet-catalogues of women, allegorical narratives, and debate poems-are brought together and analysed in detail for the first time in order to explore, for example, how such works address the misogynistic spectre of Jean de Meun's Roman de la rose.The book seeks to understand the contemporary popularity of the case for women (la querelle des femmes) as literary subject matter. It investigates the publication history across this period, from manuscript to print, of Le Franc's Le Champion des dames. Swift further aims to show how these texts hold interest for modern audiences. A nexus of theoretical concerns centred on performance - Judith Butler's gender performativity, Derrida's re-working of Austin's linguistic performativity through spectrality, and dramatic performance - is enlisted to articulate the interpretative engagement expected by querelle writers of their audience. The reading strategies proposed foster a nuanced and enriched perspective on the question of a male author's "sincerity" when writing in defence of women.