From hypertext to visual/kinetic text to writing in a networked and programmable media, there is a tangible feel of arrival in the spelled air" of on-line poetry.

From hypertext to visual/kinetic text to writing in a networked and programmable media, there is a tangible feel of arrival in the spelled air" of on-line poetry. In Digital Poetics: The Making of E-Poetries, Loss Pequeno Glazier (The Parts), professor and director of SUNY Buffalo's esteemed Electronic Poetry Center (wings. edu/epc), theorizes on the practices and potentials of this inchoate medium-cum-venue.

Digital Poetics book. Start by marking Digital Poetics: Hypertext, Visual-Kinetic Text and Writing in Programmable Media as Want to Read: Want to Read savin. ant to Read.

Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts out of which electronic poetry has emerged and demonstrates some of the possibilities of the new medium

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Read unlimited books and audiobooks on the web, iPad, iPhone and Android. From hypertext to visual/kinetic text to writing in networked and programmable media, there is a tangible feel of arrival in the spelled air. New possibilities stand out as intriguing, while technologies that once seemed futuristic now have all the timeliness of World War II bunkers overlooking an unperturbed Pacific.

1. Jumping to Occlusions: A Manifesto for Digital Poetics. Sidebar: The "I" in "Internet". 3. Home, Haunt, Page. 4. The Intermedial: A Treatise.

Full description 1. 6. Coding Writing, Reading Code. Sidebar: On Mouseover. 7. E-poetries: A Lab Book of Digital Practice, 1970-2001.

Loss Pequeño Glazier, "Digital Poetics: Hypertext, Visual-Kinetic Text and Writing in Programmable Media"

Loss Pequeño Glazier, "Digital Poetics: Hypertext, Visual-Kinetic Text and Writing in Programmable Media". Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts out of which electronic poetry has emerged and demonstrates some of the possibilities of the new medium. Glazier examines three principal forms of electronic textuality: hypertext, visual/kinetic text, and works in programmable media.

Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts out of which electronic poetry has emerged and demonstrates some of the possibilities of the new medium.

Glazier's paintings not just introduces the reader to the present country of digital writing but in addition outlines the old and technical contexts out of which digital poetry has emerged and demonstrates the various chances of the hot medium.

Modern and Contemporary Poetics) Tuscaloosa and London: University of Alabama Press. ISBN 0-8173-1074-6 (pbk 0-8173-1075-4).