mostraligabue
» » Portraits of the New Negro Woman: Visual and Literary Culture in the Harlem Renaissance

ePub Portraits of the New Negro Woman: Visual and Literary Culture in the Harlem Renaissance download

by Cherene Sherrard-Johnson

ePub Portraits of the New Negro Woman: Visual and Literary Culture in the Harlem Renaissance download
Author:
Cherene Sherrard-Johnson
ISBN13:
978-0813539775
ISBN:
0813539773
Language:
Publisher:
Rutgers University Press; None ed. edition (January 29, 2007)
Category:
Subcategory:
History & Criticism
ePub file:
1890 kb
Fb2 file:
1450 kb
Other formats:
mbr doc lit lrf
Rating:
4.5
Votes:
703

Home Browse Books Book details, Portraits of the New Negro Woman . By establishing the mulatta as a literary trope, antebellum, Civil War, and Reconstruction literature laid the groundwork for th. .

Home Browse Books Book details, Portraits of the New Negro Woman: Visual and. Portraits of the New Negro Woman: Visual and Literary Culture in the Harlem Renaissance. By Cherene Sherrard-Johnson. Mulatta iconography proliferated during the Harlem Renaissance as a result of visual and literary cross-fertilization. By establishing the mulatta as a literary trope, antebellum, Civil War, and Reconstruction literature laid the groundwork for the her iconic representation.

In this engaging narrative, Cherene Sherrard-Johnson uses the writings of Nella Larsen and Jessie Fauset as well as the work of artists like Archibald Motley and William H. Johnson to illuminate the centrality of the mulatta b. Johnson to illuminate the centrality of the mulatta by examining a variety of competing arguments about race in the Harlem Renaissance and beyond. 0813539773 (ISBN13: 9780813539775). Portraits of the New Negro Woman: Visual and Literary Culture in the Harlem. Pages displayed by permission of Rutgers University Press.

Cherene Sherrard-Johnson opens her provocative and intriguing book, Portraits of the New Negro Woman, with .

Cherene Sherrard-Johnson opens her provocative and intriguing book, Portraits of the New Negro Woman, with a reading of a painting by Harlem Renaissance artist Archibald Motley. Sherrard-Johnson's work is part of a recent trend in Harlem Renaissance studies to explore the literary work of the era in conjunction with visual-rather than musical-sources.

Cherene Sherrard-Johnson is a remarkably talented young lady who has produced a magnificently written book, Portraits of the New Negro Woman. This should be required reading for American and African American studies. I look forward to her next publication. 4 people found this helpful.

Woman : Visual and Literary Culture in the Harlem Renaissance .

Portraits of the New Negro Woman : Visual and Literary Culture in the Harlem Renaissance. Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the color line. For others, they represented key aspects of modernity and race coding central to the New Negro Movement.

Art & Culture Literary Theory Paperback Books. Art & Culture Literary Criticism Paperback Non-Fiction Books in Danish. Charles Dickens Art & Culture Literary Criticism Paperback Non-Fiction Books. Ex-Library Art & Culture Literary Criticism Paperback Non-Fiction Books. Art & Culture Literary Criticism Paperback Non-Fiction Books in Irish. Tolkien Art & Culture Literary Criticism Paperback Non-Fiction Books. Additional site navigation.

Embracing literary, musical, theatrical, and visual arts, participants sought . The renaissance had many sources in black culture, primarily of the United States and the Caribbean, and manifested itself well beyond Harlem.

Embracing literary, musical, theatrical, and visual arts, participants sought to reconceptualize the Negro apart from the white stereotypes that had influenced black peoples’ relationship to their heritage and to each other. The Harlem Renaissance was an artistic flowering of the New Negro movement as its participants celebrated their African heritage and embraced self-expression, rejecting long-standing-and often s.

Cherene Sherrard-Johnson, Portraits of the New Negro Woman: Visual and Literary Culture in the Harlem .

Cherene Sherrard-Johnson, Portraits of the New Negro Woman: Visual and Literary Culture in the Harlem Renaissance (New Brunswick: Rutgers UP, 2007), 2. oogle Scholar. 3. Randolph Vigne, ed. A Gesture of Belonging: Letters from Bessie Head, 1965–1979 (London: Heinemann, 1991), 1. Lydia Maria Child, The Quadroons, in An Anthology of Interracial Literature: Black-White Contacts in the Old World and the New, ed. Werner Sollors (New York: New York UP, 2004), 23.

In this engaging narrative, Cherene Sherrard-Johnson uses the writings of Nella Larsen and Jessie Fauset as well as.

Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the color line. For others, they represented key aspects of modernity and race coding central to the New Negro Movement. Due to the mulatta’s frequent ability to pass for white, she represented a variety of contradictory meanings that often transcended racial, class, and gender boundaries.

In this engaging narrative, Cherene Sherrard-Johnson uses the writings of Nella Larsen and Jessie Fauset as well as the work of artists like Archibald Motley and William H. Johnson to illuminate the centrality of the mulatta by examining a variety of competing arguments about race in the Harlem Renaissance and beyond.