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ePub There's a Trick with a Knife I'm Learning to Do. Poems 1963-1978. SIGNED. download

by Michael Ondaatje

ePub There's a Trick with a Knife I'm Learning to Do. Poems 1963-1978. SIGNED. download
Author:
Michael Ondaatje
ISBN13:
978-0771068829
ISBN:
0771068824
Language:
Publisher:
McClelland & Stewart; 1St Edition edition (1979)
Category:
Subcategory:
Poetry
ePub file:
1442 kb
Fb2 file:
1707 kb
Other formats:
rtf docx lrf lit
Rating:
4.6
Votes:
616

Get books you want In the late 1970s Ondaatje returned to his native island of Sri Lanka

There's a Trick with a Knife I'm Learning to Do: Poems, 1963-1978. In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India, " Ondaatje simultaneously retraces the baroque mythology of his. Handwriting. Michael Ondaatje’s new selected poems, The Cinnamon Peeler, brings together poems written between 1963 and 1990, including work from his most recent collection, Secular Love. These poems bear witness to the extraordinary gifts that have won high praise.

Michael Ondaatje's collection of poems from 1963 to 1978 is entitled There's a Trick I'm Learning to do, and . Although some of his poems are at times difficult to thoroughly comprehend, Ondaatje must be praised as an imagist.

Michael Ondaatje's collection of poems from 1963 to 1978 is entitled There's a Trick I'm Learning to do, and the reason for this has become apparent to me as I have read it. The trick that Ondaatje has learned is the art of poetic efficiency (commonly referred to as the "less is more" technique. He carves his poems with this metaphorical blade. He carves his poems in such a way that gaps appear, allowing readers to interpret the poems without constraint. The images carry the poems, and the mystery pushes them.

The earliest work here is often very mysterious, and intriguing. The shorter poems are frequently the most powerful.

Best of Michael Ondaatje. The earliest work here is often very mysterious, and intriguing. Application for a Driving License", even shorter, is also visually arresting and potent.

There’s a Trick with a Knife. I’m Learning to Do: Poems 1963–. With the utmost curiosity and faith he learned all he could about Nora Bass, questioning her long into the night about her past

There’s a Trick with a Knife. With the utmost curiosity and faith he learned all he could about Nora Bass, questioning her long into the night about her past. Her body a system of emotions and triggers he got lost in. Every hair she lost in the bath, every dead cell she rubbed off on a towel.

ISBN 13: 9780771068829. There's a Trick with a Knife I'm Learning to Do. Poems 1963-1978.

There's a Trick with a Knife I'm Learning to Do. Michael Ondaatje is the author of three previous novels, a memoir and eleven books of poetry. His novel The English Patient won the Booker Prize. Born in Sri Lanka, he moved to Canada in 1962 and now lives in Toronto.

Ondaatje's early poetry, collected in the volume There’s a Trick with a Knife I’m Learning to Do: Poems, 1963–1978 (1979), mixes the surreal and the everyday, creating a poetry that relies on a hushed approach, according to Charles Molesworth in the New York Times. Generally considered his first major work, The Collected Works of Billy the Kid is ambitious in its formal experimentation and risks. A textual collage combining lyric poetry with prose, snippets of a play, songs, mock-interviews and photographs, the book investigates both Billy the Kid and the consequences of myth through.

In 2002, Ondaatje published a non-fiction book, The Conversations: Walter . Ondaatje has two children with his first wife, Canadian artist Kim Ondaatje. 1979: There's a Trick with a Knife I'm Learning to Do: Poems, 1963-1978, New York: W. W. Norton (New York, NY), 1979.

Ondaatje has two children with his first wife, Canadian artist Kim Ondaatje. His brother Christopher Ondaatje is a philanthropist, businessman and author. ISBN 0-393-01191-7, ISBN 0-393-01200-X.

  • Not signed - lousy condition

  • Ondaatje, Michael. There's a Trick With a Knife I'm Learning to do: (poems 1963-78). W. W. Norton & Company: London, 1979.
    Michael Ondaatje's collection of poems from 1963 to 1978 is entitled There's a Trick I'm Learning to do, and the reason for this has become apparent to me as I have read it. The trick that Ondaatje has learned is the art of poetic efficiency (commonly referred to as the "less is more" technique.) He carves his poems with this metaphorical blade. Although the collection is not a masterpiece, I feel that there are enough successful poems to warrant a review.
    Ondaatje opens the collection with an interesting poem entitled "Light." The poem has the persona sitting on a porch observing a storm. With every "spark of lightning," he sees a portrait of someone from his past. The poem turns into a slide show of family portraits. This interesting insight into the poet's mind acts as an effective opening poem. It allows the reader to prepare for a ride through the world of Michael Ondaatje's eyes.
    The highlight of the collection is "The Time Around Scars." This poem deals with the idea that we all have scars, and with them the memories of what made them. Ondaatje reveals a personal incident, yet causes the readers to reflect upon their own scars; not only physical, but emotional. Ondaatje describes a scar as "it sleeps, smooth and white, the size of a leech" (15). His wonderful images continue as he refers to his wife's scars which are "like spread raindrops on knees and ankles" (15). Like the opening poem of the collection suggested, this poem is a picture show; revealing a bit more about life than merely the images, but always noticing the images.
    Since Ondaatje is such a proficient imagist, other examples of his images should be noted. In "Diverse Causes," he paints a picture with "my daughter burns the lake by reflecting her red shoes in it" (9). Another interesting image is found in the poem "Signature." Ondaatje states that "everyone has scars which crawl into the mystery of swimming trunks" (10). Possibly the most unique image is found in the poem "Elizabeth," as he describes an apple with, "it shrunk like a face growing eyes and teeth ribs" (20). In "Burning Hills," he describes a wasp which is "crawling on the floor tumbling over, its motor fanatic" (44). This image promotes an auditory effect as well as the visual experience. A final interesting image is found in "Pig Glass." In this poem, he describes a breaking glass as the "booomm when glass tears free of its smoothness" (59).
    Although some of his poems are at times difficult to thoroughly comprehend, Ondaatje must be praised as an imagist. He carves his poems in such a way that gaps appear, allowing readers to interpret the poems without constraint. The images carry the poems, and the mystery pushes them. If the "Trick With a Knife" that Ondaatje is learning is the act of efficiency, then his blade should be considered dangerously sharp.

  • Don’t call it a “signed” copy when it just has the name of the previous owner on the inside cover!!!
    A bit beat up, but still poetry—