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Ida Vitale; Katherine M Hedeen; Vctor Rodrguez Ne. Garden of Silica is the first poetry anthology of the Uruguayan Ida Vitale to appear in English, spanning eight books published from 1960 to the present.

Ida Vitale; Katherine M Hedeen; Vctor Rodrguez Nez. Walmart 568570478. Her work seeks a balance between subjectivity and objectivity, privileges intellectual capacity above that of sentimentality, and requires an active reader.

Cambridge: Salt Publishing, 2010).

by Rodolfo Alonso (Author), Katherine M. Hedeen (Translator), Víctor Rodríguez-Núñez (Translator) & 0 more. If you plan to read only one book of poetry, or translated poetry this year, make that book The Art of Keeping Quiet. Additionally, be watchful for the appearance of more English translations of the singularly beautiful poetry of Rodolfo Alonso. The Art of Keeping Quiet.

Garden of Silica (Translation). Katherine M. Hedeen, Victor Manuel Rodríguez Núñez, Ida Vitale. El silo : una sinfonía pastoral. Hedeen, John Kinsella, Victor Manuel Rodríguez Núñez. La cubana en la poesía: género y nación en "Visitaciones y Habana del centro" de Fina García Marruz.

Garden of Silica is the first poetry anthology of the Uruguayan Ida Vitale to appear in English, spanning eight books published from 1960 to the present. Vitale is one of the fundamental voices of Latin American literature, and her work also encompasses essays, short stories, journalism, and translation. She belongs to Uruguay's Critical Generation of the 1940s, whose mission was the construction of a participative intellectual subject.

Garden of Silica book. Dec 10, 2019 Michael Pennington rated it it was amazing.

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Katherine M. Hedeen’s latest translations include thaw (Arc Publications, 2013) and Every Good . Víctor Rodríguez Núñez has published thirty books of poetry throughout Latin America and Europe, and has received major awards all over the Spanish-speaking world. Hedeen’s latest translations include thaw (Arc Publications, 2013) and Every Good Heart Is a Telescope: Early Poems (Toad Press, 2013), both by Víctor Rodríguez Núñez.

After looking closely at The Garden of Earthly Delights, student Amelia Hamrick decided to transcribe music written upon the posterior of one of the many tortured denizens of the rightmost panel of the painting. This particular denizen appears to have been crushed by a giant harp plunged into a lute, with an audience of nuns, monsters and a person wielding a flaming toad on a spear.