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ePub Great Fire of London: A Story with Interpolations and Bifurcations download

by Dominic Di Bernardi,Jacques Roubaud

ePub Great Fire of London: A Story with Interpolations and Bifurcations download
Author:
Dominic Di Bernardi,Jacques Roubaud
ISBN13:
978-0916583767
ISBN:
0916583767
Language:
Publisher:
Dalkey Archive Press (July 1, 1991)
Category:
Subcategory:
United States
ePub file:
1480 kb
Fb2 file:
1211 kb
Other formats:
lrf docx rtf lrf
Rating:
4.5
Votes:
344

Great Fire of London book.

Great Fire of London book. the snarls that arise when systems turn back on themselves ) to different places along the ever-elongating, ever-expanding center root, the. story-branch, Destruction.

Roubaud is a humorous and sometimes earthy writer whose work can be enjoyed by a wide variety of readers. Employing free association, he gives us not only observations about literature, but much autobiographical material, some of which is erotic. Dominic Di Bernardi does a fine job of translating and also contributes a very informative afterword. Jacques Roubaud, born in 1932, has been a professor of mathematics at the University of Paris X Nanterre. He is one of the most accomplished members of the Oulipo, the workshop for experimental literature founded by Raymond Queneau and Francois Le Lionnais.

Jacques Roubaud was a professor of Mathematics at University of Paris X. .The Great Fire of London: A Story with Interpolations and Bifurcations.

Jacques Roubaud was a professor of Mathematics at University of Paris X Nanterre. He is a retired Poetry professor from EHESS and a member of the Oulipo group, he has also published poetry, plays, novels, and translated English poetry and books into French such as Lewis Carroll's The Hunting of the Snark  .

Part novel and part autobiography, The Great Fire of London is one of the great literary undertakings of the last . a beautifully controlled examination of the effect on him of his wife's death and of.

Part novel and part autobiography, The Great Fire of London is one of the great literary undertakings of the last fifty years.

Preface by Jacques Roubaud. Afterword by Dominic Di Bernardi

Preface by Jacques Roubaud. Afterword by Dominic Di Bernardi. I’ve devoted myself to the enterprise of destroying my memory. Part novel and part autobiography, The Great Fire of London is one of the great literary undertakings of the last fifty years. Roubaud has finally produced a book that his great and varied talent had always promise. beautifully controlled examination of the effect on him of his wife’s death and of the failure of his literary ambitions – The Independent. For 20 years, the anguished narrator has wanted to write the non-novel we are now reading – it was once called Project, as Finnegans Wake was once called Work in Progress.

Jacques Roubaud, Dominic Di Bernardi. Part novel, part autobiography, The Great Fire of London is one of the great literary undertakings of our time. Having failed to write his intended novel (The Great Fire of London), instead Roubaud creates a book that is about that failure, but in the process opens up the world of the creative process.

I set fire to it, and with its debris I charcoal-scrawl the paper.

Online version: Roubaud, Jacques. Great fire of London. Jacques Roubaud ; translated with an afterword by Dominic Di Bernardi. Named Person: Jacques Roubaud; Jacques Roubaud. Material Type: Fiction. All Authors, Contributors: Jacques Roubaud.

Jacques Roubaud, translated by Dominic Di Bernardi. Having failed to write his intended novel ( The Great Fire of London ), instead Roubaud creates a book that is about that failure, but in the process opens up the world of the creative process. From the publisher: Part novel, part autobiography, The Great Fire of London is one of the great literary undertakings of our time. This novel stands as a lyrical counterpart of the great postmodern masterpieces by fellow Oulipians Georges Perec and Italo Calvino.

Find many great new & used options and get the best deals for The Great Fire of London: A Story . Place of Publication.

Place of Publication. Short Stories & Fiction Anthologies. French Literature Series.

“I’ve devoted myself to the enterprise of destroying my memory . . . I set fire to it, and with its debris I charcoal-scrawl the paper.” Part novel and part autobiography, The Great Fire of London is one of the great literary undertakings of the last fifty years. At various times exasperating, daunting, moving, dazzling, and challenging, it has its origins in Jacques Roubaud’s attempt to come to terms with the death of his young wife Alix, whose presence both haunts and gives meaning to every page.Having failed to write his intended novel (“The Great Fire of London”), instead he creates a book that is about that failure, but in the process opens up the world of the creative process, which is at once an attempt to bring order to his ravaged personal life and to construct an intricate literary project that functions according to strict rules, one of them being the palindrome.But rather than a confessional novel about himself and his wife, Roubaud follows in the tradition of the troubadours, where the objects of grief and love are identified obliquely and through literary artifice. At all times, Alix and his anguished loss of her are paramount, but usually couched or disguised by the writer’s obsessive need to filter that anguish through reflections of the art of writing.The Great Fire of London consists of a main text (“story”) and two sets of digressions (“interpolations” and “bifurcations”). Although best to read the insertions as they appear (indicated in the main text with cross-reference markers), this is an interactive text in which readers can decide for themselves how they wish to proceed. Roubaud’s novel stands as a lyrical counterpart of those great postmodern masterpieces by fellow Oulipians Georges Perec (Life: A User’s Manual) and Italo Calvino (If on a Winter’s Night a Traveler). “Roubaud has finally produced a book that his great and varied talent had always promised…a beautifully controlled examination of the effect on him of his wife’s death and of the failure of his literary ambitions” – The Independent“For 20 years, the anguished narrator has wanted to write the non-novel we are now reading – it was once called Project, as Finnegans Wake was once called Work in Progress. He begins by writing the first sentence and then about how the first sentence looks on the page, the fall of light from his desk lamp on the sentence, the breaking darkness outdoors slowly wiping out the yellow lampglow on his desk, and so on, all with the intention of giving us a story that, as it goes along, self-destructs sentence by sentence. Can this be authorial suicide?” – Kirkus Reviews