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familiar signier of Canadianness. National Imaginary is a text about hauntings

familiar signier of Canadianness. In many ways, Margot Francis’ Creative Subversions: Whiteness, Indigeneity and the. National Imaginary is a text about hauntings. Francis frames her analysis around the. power of ghosts and the ways in which they become implicated in the everyday geog

Creative Subversionsexplores how whiteness and Indigeneity are articulated through iconic images of Canadian identity - and the . Margot Francis is an associate professor of women's studies and sociology at Brock University.

Creative Subversionsexplores how whiteness and Indigeneity are articulated through iconic images of Canadian identity - and the contradictory and contested meanings they evoke. These benign, even kitschy, images, she argues, are haunted by ideas about race, masculinity, and sexuality that circulated during the formative years of Anglo-Canadian nationhood.

Creative Subversions explores how whiteness and Indigeneity are articulated through images of. .

Creative Subversions explores how whiteness and Indigeneity are articulated through images of Canadian identity - and the contradictory and contested meanings they evoke. In this richly illustrated book, Margot Francis shows how national symbols such as the beaver, the railway, the wilderness of Banff National Park, and ideas about "Indianness" evoke nostalgic versions of a past that cannot be expelled or assimilated.

Creative Subversions: Whiteness, Indigeneity, and the National Imaginary. Vancouver: University of British Columbia Press, 2011: 132. ISBN 9780774820288. Longfellow House – Washington's Headquarters National Historic Site, Alice Mary Longfellow Papers Collection, Box 4 (14X18), Folder 1. Photo of Mina Edison, Harvey Firestone, Thomas A. Edison, Alice Longfellow, Henry Ford and Clara Bryant Ford at The Wayside Inn circa 1924. Hilen, Vol. VI, 119.

Explores how whiteness and Indigeneity are articulated through iconic images of.

Explores how whiteness and Indigeneity are articulated through iconic images of Canadian identity – and the contradictory and contested meanings these images evoke. Through a richly illustrated text Francis explores how national symbols such as the beaver, the railway, the wilderness of Banff National Park, and ideas about ‘Indianness’ evoke nostalgic versions of a past that cannot be expelled of assimilated. Sarita Srivastava and Margot Francis, The Problem of ‘Authentic Experience’: ‘Storytelling’ in Anti-Racism and Anti-Homophobia Education. Special Issue on Race.

lt;i Creative Subversions: Whiteness, Indigeneity, and the national imaginary

Her book-length poem Citizen: An American Lyric (2014) won the 2015 National Book Critics Circle .

Her book-length poem Citizen: An American Lyric (2014) won the 2015 National Book Critics Circle Award in Poetry, among other awards. Yesterday, she was awarded a MacArthur Foundation Fellowship, recognizing her career accomplishments and the import and impact of her work. Others TBA. Organizers: Eva-Lynn Jagoe and Imre Szeman.

Francis, Margot, Creative Subversions: Whiteness, Indigeneity, and the National Imaginary

Alessio, John . Social Problems and Inequality: Social Responsibility Through Progressive Sociology. Francis, Margot, Creative Subversions: Whiteness, Indigeneity, and the National Imaginary. Genov, Nikolai, Global Trends and Regional Development.

Creative Subversions Whiteness Indigeneity And The National Imaginary. Creative Subversions Whiteness Indigeneity And The National Imaginary. 1 2 3 4 5. Want to Read.