ePub Past for the Eyes: East European Representations of Communism in Cinema and Museums after 1989 download

by Peter Apor,Oksana Sarkisova

Author:

Peter Apor,Oksana Sarkisova

ISBN13:

978-9639776050

ISBN:

963977605X

Language:

English

Publisher:

Central European University Press (January 10, 2008)

Category:

History

Subcategory:

Europe

ePub file:

1540 kb

Fb2 file:

1723 kb

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4.6

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740

Peter Apor Oksana Sarkisova Europe English

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After history ended in the Eastern Bloc in 1989. Hardcover: 436 pages.

After history ended in the Eastern Bloc in 1989.

Twenty-five years after the fall of communism in Poland, a considerable number of citizens manifest nostalgia for the communist times.

Past For The Eyes book. Past For The Eyes: East European Representations Of Communism In Cinema And Museums After 1989.

Paperback: 416 pages. Publisher: Central European University Press (December 1, 2007). ISBN-13: 978-9639776050. Product Dimensions: 6 x 1 x . inches.

Péter Apor and Oksana Sarkisova. How Is Communism Displayed? Exhibitions and Museums of Communism in Poland.

By Oksana Sarkisova, Péter Apor. Exhibitions and Museums of Communism in Poland 371. About the Authors 401. Museums and memorials started mushrooming all over East and Central Europe, in the former communist world, after the past was lost 1989.

Recommend this journal. Ed. Oksana Sarkisova and Peter Apor. Budapest: Central European University Press, 2008.

Oksana Sarkisova,Péter Apor Anteprima non disponibile - 2008.

Museums and memorials started mushrooming all over East and Central Europe, in the former communist world, after the past was lost 1989. Oksana Sarkisova,Péter Apor Anteprima non disponibile - 2008.

How do museums and cinema shape the image of the Communist past in today s Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history ended in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past.

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