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ePub Interface Culture: How New Technology Transforms the Way We Create Communicate download

by Steven A. Johnson

ePub Interface Culture: How New Technology Transforms the Way We Create  Communicate download
Author:
Steven A. Johnson
ISBN13:
978-0465036806
ISBN:
0465036805
Language:
Publisher:
Basic Books; Reprint, Subsequent edition (October 7, 1999)
Category:
Subcategory:
Words Language & Grammar
ePub file:
1935 kb
Fb2 file:
1989 kb
Other formats:
rtf azw mobi docx
Rating:
4.6
Votes:
758

Steven Johnson has been named one of the most influential people on Cyberspace by Newsweek, New York magazine, and .

Steven Johnson has been named one of the most influential people on Cyberspace by Newsweek, New York magazine, and Websight magazine. He lives in New York City. Johnson's book, Interface Culture, is about the growing culture of the interface, the way we interact with the world around us. It is based on the nearly invisible premise that we interface with much of the world, and have been for most of our time on this planet. I found this immediately intriguing because some f the hardest things to observe are the interfaces that we sue to connect and interact with the world.

Interface Culture book. Goodreads helps you keep track of books you want to read. Start by marking Interface Culture: How New Technology Transforms the Way We Create and Communicate as Want to Read: Want to Read savin. ant to Read.

Drawing on his own expertise in the humanities and on the Web, Steven Johnson not only demonstrates how interfaces - those buttons, graphics, and words on the computer screen through which we control information - influence our daily lives, but also tracks their roots back to Victorian novels, early cinema, and even medieval urban planning.

Johnson, Steven, 1968-. Information technology, Information society, Communication and culture, Computacao (aspectos socio-economicos e politicos), Technologie de l'information, Communication et culture, Société informatisée, Technologie, Communicatie, Cultuur. Books for People with Print Disabilities. Internet Archive Books. Uploaded by AliciaDA on April 9, 2010. SIMILAR ITEMS (based on metadata).

Steven Johnson Interface culture How new technology transforms the way we create and communicate Harper, 1997 264 pages ISBN: 0-0625-1482-2. An interesting exercise in juxtaposing interfaces with historical and contemporary works of art (literature, architecture, paintings), and trying to define and predict cultural aspects and influences of interface design. This is quite a different read than all the other, more technical volumes presented here, and goes way beyond GUIs. For those wishing to expand their horizons, this could be a demanding, but satisfying detour.

The book was, technically speaking, a history of military technology, but it had nothing in common with what you might naturally expect from the genre.

Interface Culture How New Technology Transforms the Way We Create & Communicate.

Technology allows us to easily connect with people worldwide using our choice of forums We communicate with a different style. The nature of communication has changed along with its increase in speed and volume.

Technology allows us to easily connect with people worldwide using our choice of forums. As the speed of communicating has ramped up, costs have been dramatically reduced. We communicate with a different style.

Johnson is the author of nine books, largely on the intersection of science, technology, and personal experience. Interface Culture: How New Technology Transforms the Way We Create and Communicate. ISBN 978-0-06-251482-0. He has also co-created three influential web sites: the pioneering online magazine FEED, the Webby Award-winning community site, Plastic. com, and most recently the hyperlocal media site outside.

In this hip, erudite manifesto, Steven Johnson bridges the gap that yawns between technology and the arts. Drawing on his own expertise in the humanities and on the Web, Steven Johnson not only demonstrates how interfaces-those buttons, graphics, andword. One of the Web's intellectual heavyweights. Washington Post "A must read for avid Web browsers. USA Today "The place to get fe. -Spin.

Drawing on his own expertise in the humanities and on the Web, Steven Johnson not only demonstrates how interfaces - those buttons, graphics, and words on the computer screen through which we control information - influence our daily lives, but also tracks their roots back to Victorian novels, early cinema, and even medieval urban planning. The result is a lush cultural and historical tableau in which today's interfaces take their rightful place in the lineage of artistic innovation. With a distinctively accessible style, Interface Culture brings new intellectual depth to the vital discussion of how technology has transformed society, and is sure to provoke wide debate in both literary and technological circles.
  • One of the most thought provoking books I've ever read on the topic, Johnson offers an intriguing perspective on the state of the human-computer interface. Perhaps the most impressive aspect of this book is the way Johnson presents so many interesting ideas - each one triggering many new ideas in the reader. Although many will find Johnson's ideas debatable, it is still a compelling read due manner and intelligence in which each argument is presented. Another interesting aspect of the book is the way Johnson attempts to predict the future direction of interface design. Rather than merely extrapolating on recent trends, he looks at deep historical patterns of the social, psychological, and philosophical effect that each interface development had on us as a society and the way they shaped our culture. His arguments take us from the early work done at XEROX PARC to the web-enabled interfaces of today. In the end, Johnson makes a credible argument that is strongly rooted in the broader context of history and culture.

  • I'm impressed by the number of people who can "see" the way that the internet is going, and where it has come from. This book is an interesting view at the way computer interfaces dictate how we use computers. I'm trying to incorporate some of these ideas into my interface design -- biologists tend to think about their problems in a graphical context -- but translating that pictorial representation into a computer interface is difficult

  • The premise of the book set out in the first chapter was fascinating. Interfaces shape our perceptions, just as Marshall McLuhan proclaimed in "The Medium is the Message."
    Unfortunately, this critical eye didn't find its way into the remainder of the book. I consider "Interface Culture" to be a history of computer interfaces rather than an interpreter of the way our perceptions have changed.

  • I chose this book to read as an out of class reading assignment. I literally had to trudge through it and forced myself to finally finish it a week before I had to make a report on it. There were times when I would wonder if he was ever going to get to the point, and alas, he didn't. This book is about everything BUT what the subject of the book is supposed to be about. I donated it to the library a week after giving my report.

  • Johnson's book, Interface Culture, is about the growing culture of the interface, the way we interact with the world around us. It is based on the nearly invisible premise that we interface with much of the world, and have been for most of our time on this planet. I found this immediately intriguing because some f the hardest things to observe are the interfaces that we sue to connect and interact with the world. Johnson frames his discussion of interface with the elements of computer interface; the desktop, windows, links, text, and agents, all common to those people coming from a computer literate society.
    Where Johnson really shines (and I admit a personal bias for the topic) is in his discussion about hypertext and the poor job that silicon valley has done in really pushing it to the limits of it possibility. He presents a picture of an industry that continues to try to bring television to the web (real video, real audio, flash) all attempts to bring movement and animation to a naturally solid state-dynamic environment. The real power of the web is in the link, in the ability of authors and users to "create their own story" - to navigate through the content as they wish, not necessarily how the author intended. Johnson uses Dicken's stories as examples of thinking that incorporates the sense of disparate ideas - all connected into one story - the kind of thinking that Johnson thinks needs to be used to harness the power of the link.
    Johnson also takes time to explore the differences between "surfing the web" and "channel surfing", arguing that the two are fundamentally different. He argues that the passive, almost lazy activity of channel surfing actually works against our ability to conceive of the web differently. People who have this mentality will not be able to clearly see other possibilities for the web.
    Johnson spends quite some time bitterly complaining about the lack of real innovation in hypertext environments, and in the end suggests that his own online magazine "FEED" is at the forefront of hypertext theory, pushing the limits of use. I was less impressed that I though I would be. Johnson is so very eloquent and keenly aware of the need to use hypertext as storytelling environment, to really push out lazy use of it, and to exploit the full potential of this tool. I feel that Johnson fails to acheive the goal that he so clearly lays out in his book. While FEED does use hypertext in new ways, it didn't strike me as particularly clean. By this I mean that the *interface* was clogged with too many links, the user while given many options was not given any clear or clean sense of direction. Burrowing into the site, the linking grew in scope and complexity, but instead of making my interaction more pleasant, I found I was more confused, and really had to try to find order. Perhaps this is just a natural reflexive response to the new use of a familiar thing, but I didn't to stay at FEED. I can see what FEED is trying to do, and I agree with the goal - to provide a dynamic interactive hypertext environment... but the interface was too hard to use. From a design perspective it is always easier to add a bunch of bells and whistles, the hard part is to take away everything that distracts from the message, that interferes with the usability. It seems like the producers of feed became excited about the possibilities of hyperlinking and no one ever stopped to ask when was a good time to stop. While all links are relevant to the content, the sheer volume of linking distracts the user - taking away from their ability to smoothly interact with the environment.