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by Anthony Pegaret,Janet Arnold

ePub Costume: A General Bibliography (Costume Society bibliography ; no. 1) download
Author:
Anthony Pegaret,Janet Arnold
ISBN13:
978-0903407069
ISBN:
090340706X
Language:
Publisher:
Costume Society; Revised edition edition (June 1974)
Category:
Subcategory:
Writing Research & Publishing Guides
ePub file:
1216 kb
Fb2 file:
1633 kb
Other formats:
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Rating:
4.3
Votes:
407

I'm not familiar with The Costume Society so I have no idea if this Bibliography No. 1 has been followed up by more.

I'm not familiar with The Costume Society so I have no idea if this Bibliography No. The references here are mostly quite detailed and obscure. Funnily enough, the first items in the table of Contents of this bibliography are other bibliographies; encyclopedias; glossaries; dictionaries; guides to museums, art galleries & country houses; and journals with articles on costume. So, references to references.

Start by marking Costume: A General Bibliography as Want to Read: Want to Read savin. ant to Read. Read by Pegaret Anthony.

Pegaret Anthony (1 November 1915 – 25 May 2000) was an English artist and lecturer in historical costume and . Some of this was published in 1974 as Costume: A General Bibliography, a book she wrote with Janet Arnold.

Pegaret Anthony (1 November 1915 – 25 May 2000) was an English artist and lecturer in historical costume and theatre history best known for her watercolour paintings of war workers during the Second World War. Contents. In 1944 she married John Victor Caldecott Anthony (1912–2001), a valuer with the Inland Revenue and a great-nephew of the artist Randolph Caldecott. They had a son, Keeling Anthony (1946-2006). Pegaret Anthony died on 25 May 2000 aged 84, and was cremated at Golders Green Crematorium on 30 May 2000.

Costume : a general bibliography. oceedings{Anthony1974CostumeA, title {Costume : a general bibliography}, author {Pegaret Anthony and Janet Arnold}, year {1974} }. Pegaret Anthony, Janet Arnold.

Anthony, Pegaret and Janet Arnold, Costume, A General Bibliography. Kelly, Francis and Randolph Schwabe, Historic Costume: Short History of Costume and Armour Chiefly in England 1066-1800. Köhler, Carl, A History of Costume. Kyoto Costume Institute, Fashion: A History from the 18th to the 20th Century. Laver, James, A Concise History of Costume. Mackrell, Alice, Art and Fashion: The Impact of Art on Fashion and Fashion on Art.

Pegaret Anthony was an English artist and lecturer in historical costume and theatre history best known for her watercolour paintings of war workers during the Second World War.

Pegaret Anthony was an English artist and lecturer in historical costume and theatre history best known for her watercolour paintings of war workers during the Second World Wa. Her maternal grandfather was the Victoran artist Thomas Howes. As an 18-year-old student she travelled alone to Montreal in Canada, arriving back in London on 26 August 1934. In her final year here she was a holder of the William Atkinson Scholarship for theatre design. rnFrom Jeanettea Cochrane she developed a passion for the history of costume, which strongly influenced her work.

Items related to Costume: A general bibliography (Costume Society .

Items related to Costume: A general bibliography (Costume Society bibliograph. Pegaret Anthony Costume: A general bibliography (Costume Society bibliography ; no. 1). ISBN 13: 9780903407069. Janet Arnold (October 6, 1932 – November 2, 1998) was a British clothing historian, costume designer, teacher, conservator, and author. If it is added to AbeBooks by one of our member booksellers, we will notify you! Create a Want. with Janet Arnold, Costume: A General Bibliography, Victoria and Albert Museum and the Costume Society (1974). a b c d e Buckman, David Artists in Britain Since 1945 Art Dictionaries Ltd (2006) pgs 50-51. Pegaret Anthony Genealogy.

Series: Costume Society Bibliography (1). Members. No current Talk conversations about this book.

  • We who love studying costumes, textiles and embroidery adore Janet Arnold, the unparalleled expert. I've purchased from Amazon these impossibly important books:
    Patterns of Fashion 3: The Cut and Construction of Clothes for Men and Women C. 1560-1620
    Patterns of Fashion 4: The Cut and Construction of Linen Shirts, Smocks, Neckwear, Headwear and Accessories for Men and Women C. 1540-1660 (Patterns of Fashion)
    and hope to get more when the prices are more affordable. Which brings me to the first cautionary note: I snagged this book at a cost LESS than shipping. Right now you have to seek out the right product page for this book: one's offering is under $8 but another's is $80. Normally, I don't talk prices but unless you're REALLY into esoteric publications like this with NO illustrations, you'll be sadly disappointed.

    My favorite element of Janet Arnold's books is the illustrations. I study the history and embroidery of the Tudors, particularly Elizabeth I. It's very surprising to me but I greatly prefer the 2nd book above to the first because while its focus is so much more narrow, the contemporary images are in color. Color vs. b&w illustrations are almost literally like night and day in helpfulness.

    This book is from the V&A along with The Costume Society. It is a small 8 1/2" by 5 1/2" folded over and stapled book with a burnt orange heavy paper cover, the 1977 "revised and enlarged" 2nd edition. The original edition was dated 1974. I'm not familiar with The Costume Society so I have no idea if this Bibliography No. 1 has been followed up by more.

    The references here are mostly quite detailed and obscure. Funnily enough, the first items in the table of Contents of this bibliography are other bibliographies; encyclopedias; glossaries; dictionaries; guides to museums, art galleries & country houses; and journals with articles on costume. So, references to references. Then the lists of books cover social history, the theory and psychology of dress, general tomes and the ancient world. The British Isles are broken down by eras beginning with medieval times. Then most European countries are covered and then the dress for specific wearers, e.g. children and the military, for specific occasions like the theater and weddings. It cracks me up that there is an entry from The Costume Society from 1968 titled "The Trap Re-baited. Mourning dress 1860-1890!" Underwear, accessories and the fashion world have their own sections. Of course the main sources in the technical works of making historic clothes are Janet Arnold's own books published to date.

    This book will be helpful to students and researchers. It's good just to know what Ms. Arnold studied in order to author her excellent books. It's like she's sharing her own secrets. If you plug in to Amazon the chapter titles, you'll see most of these books (certainly not the articles though) included here. But this is a tidy booklet which will fit nicely with your other books on the subject, particularly Ms. Arnold's.

  • We who love studying costumes, textiles and embroidery adore Janet Arnold, the unparalleled expert. The Introduction begins as follows:

    "This introductory bibliography has been compiled for students who are beginning to study the history of costume. It contains a selection selection of approximately five hundred articles, books and journals, mainly published after 1900, dealing primarily with the history of Western European costume."

    I've purchased from Amazon these impossibly important books:

    Patterns of Fashion 3: The Cut and Construction of Clothes for Men and Women C. 1560-1620
    Patterns of Fashion 4: The Cut and Construction of Linen Shirts, Smocks, Neckwear, Headwear and Accessories for Men and Women C. 1540-1660 (Patterns of Fashion)

    and hope to get more when the prices are more affordable. Which brings me to the first cautionary note: I snagged this book at a cost LESS than shipping. Right now you have to seek out the right product page for this book: one's offering is under $8 but another's is $80. Normally, I don't talk prices but unless you're REALLY into esoteric publications like this with NO illustrations, you'll be sadly disappointed.

    My favorite element of Janet Arnold's books is the illustrations. I study the history and embroidery of the Tudors, particularly Elizabeth I. It's very surprising to me but I greatly prefer the 2nd book above to the first because while its focus is so much more narrow, the contemporary images are in color. Color vs. b&w illustrations are almost literally like night and day in helpfulness.

    This book is from the V&A along with The Costume Society. It is a small 8 1/2" by 5 1/2" folded over and stapled book with a burnt orange heavy paper cover, the 1977 "revised and enlarged" 2nd edition. The original edition was dated 1974. I'm not familiar with The Costume Society so I have no idea if this Bibliography No. 1 has been followed up by more.

    But if you want to understand where Ms. Arnold gets a lot of her information, start here.

    This book will be helpful to students and researchers. It's good just to know what Ms. Arnold studied in order to author her excellent books. It's like she's sharing her own secrets. If you plug in to Amazon the chapter titles, you'll see most of these books (certainly not the articles though) included here. But this is a tidy booklet which will fit nicely with your other books on the subject, particularly Ms. Arnold's.