ePub Transforming Images: New Mexican Santos in-between Worlds download
by Claire Farago,Donna Pierce
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4) Transforming Images: New Mexican Santos In-Between Worlds, Principal Co-author with Donna Pierce . Claire Farago, 147-58. Manchester: Manchester University Press, 2008
4) Transforming Images: New Mexican Santos In-Between Worlds, Principal Co-author with Donna Pierce, and additional contributors, Pennsylvania State University Press, 2006. Manchester: Manchester University Press, 2008. 6) The Peripatetic Life of Objects in the Era of Globalization, in Travel, Cultural Exchange and the Making of European Art 1400-1900, ed.
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book by Donna Pierce. Painting a New World: Mexican Art and Life, 1521-1821. Companion to Spanish Colonial Art at the Denver Art Museum. Spanish New Mexico: The Spanish Colonial Arts Society Collection. Santiago: Saint of Two Worlds. Donna Pierce, Marc Simmons. Cambios: The Spirit of Transformation in Spanish Colonial Art : Essays.
RIS. Transforming Images: New Mexican Santos In-Between Worlds by Claire Farago and Donna Pierce, with other contributors.
Transforming Images: New Mexican Santos in-between Worlds. by Claire Farago and Donna Pierce 1 September 2006. Usually ships within 3 to 4 days. by MS Claire Farago 1 May 1992. by Claire Farago 19 August 1999. Leonardo's Science and Technology: Essential Readings for the Non-Scientist. by Claire Farago, Donna Pierce. Coauthors & Alternates. ISBN 9780271026909 (978-0-271-0269) Hardcover, Penn State University Press, 2006. Find signed collectible books: 'Transforming Images: New Mexican Santos in-between Worlds'.
Transforming images Farago, Claire J. Pierce, Donna NBN International . Transforming images, Farago, Claire J. Pierce, Donna. Описание: The new celebration of women& aggression in contemporary culture, from Kill Bill and Prime Suspect to the artists group Toxic Titties. Pierce, Donna NBN International 9780271026909 Клэр Дж. Фараго: Преобразование изображений : Despite their anonymity, the images are, as a group, readily di. Сейчас книги нет в продаже. Возможно появится в будущем. Автор: Rodgers Nigel Название: Bruegels: Lives and Works in 500 Images ISBN: 0754830241 ISBN-13(EAN): 9780754830245 Издательство: Неизвестно Рейтинг
Introduction: Locating New Mexican Santos in-between Worlds.
Introduction: Locating New Mexican Santos in-between Worlds. The very materiality of objects with which we deal presents historians of art with an interpretive paradox absent in other historical inquiries, for works of art are both lost and found, both present and past, at the same time. Michael Ann Holly, Mourning and Method.
“Style” has been one of the cornerstones not only of the modern discipline of art history but also of social and cultural history. In this volume, the writers consider the inadequacy of the concept of style as essential to a person, people, place, or period. While the subject matter of this book is specific to religious practices and artifacts from New Mexico between the eighteenth and twentieth centuries, the implications of these investigations are far reaching historically, methodologically, and theoretically.
The essays collected here explore the Catholic instruments of religious devotion produced in New Mexico from around 1760 until the radical transformation of the tradition in the twentieth century. The writers in this volume make three key arguments. First, they make a case for bringing new theoretical perspectives and research strategies to bear on the New Mexican materials and other colonial contexts. Second, they demonstrate that the New Mexican materials provide an excellent case study for rethinking many of the most fundamental questions in art-historical and anthropological study. Third, the authors collectively argue that the New Mexican images had, and still have, importance to diverse audiences and makers.
The distinctiveness of New Mexican santos consists not only in their subjects (which conformed to Catholic Reformation tastes) but also in elements that may appear to have been “merely decorative”: graphically striking and frequently elaborate abstract design motifs and landscape references. Despite their anonymity, the images are, as a group, readily distinguished from local products anywhere else in the Spanish colonial world. This distinctiveness suggests that we should inquire not so much about the individual identities of their makers as about the collective identity of the society and place that produced and used them.
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