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ePub Wainewright the Poisoner download

by Andrew Motion

ePub Wainewright the Poisoner download
Author:
Andrew Motion
ISBN13:
978-0571205462
ISBN:
0571205461
Language:
Publisher:
Gardners Books; New Ed edition (March 31, 2001)
Subcategory:
Sociology
ePub file:
1825 kb
Fb2 file:
1620 kb
Other formats:
mobi docx mbr rtf
Rating:
4.9
Votes:
497

Andrew Motion is the author of three biographies and a number of books of poetry.

Часто встречающиеся слова и выражения. Andrew Motion is the author of three biographies and a number of books of poetry. In 1999 he was appointed Poet Laureate of Great Britain, and he is currently Professor of Creative Writing at the University of East Anglia. Motion serves as head of the Literature Panel of the Arts Council and frequently broadcasts on the BBC.

Andrew Motion's Wainewright the Poisoner (Faber, £20) was, all the critics agreed, a brilliant idea for a book - a biography of a r who represented the dark, selfish, anarchic side of the Romantic movement. Where they disagreed was in deciding whether the book actually worked (whatever that means). The words "honourable failure" played on many lips, but in the overcrowded world of literary biography that may be preferable to tedious success. John Carey, in the Sunday Times, was Motion's chief supporter.

Wainewright the Poisoner book. A dazzling and boldly original biography by Andrew Motion, Poet Laureate and the celebrated biographer of Larkin and Keats

Wainewright the Poisoner book. A dazzling and boldly original biography by Andrew Motion, Poet Laureate and the celebrated biographer of Larkin and Keats. Thomas Griffiths Wainewright was an ingenious and unscrupulous criminal. In 1828 he inherited the handsome family home, while successive legacies allowed him to maintain a flamboyant lifestyle. Meanwhile, within the space of a few years, three of his A dazzling and boldly original biography by Andrew Motion, Poet Laureate and the celebrated biographer of Larkin and Keats.

A dazzling and boldly original biography by Andrew Motion, Poet Laureate and the celebrated biographer of Larkin and Keats. In 1828 he inherited the handsome. Meanwhile, within the space of a few years, three of his relatives died in suspicious circumstances. Eventually tried and arrested, Wainewright was transported for life to Tasmania. Yet he had lived at the centre of the Romantic world

A dazzling and boldly original biography by Andrew Motion, Poet Laureate and the celebrated biographer of Larkin . Combining the form of a 'confession' with notes, asides and illuminations, Wainewright the Poisoner strips away the layers of legend and restores Wainewright to his own voice, capturing his dandified style, his charm as well as his callousness, his wit as well as his wantonness - and his deadly unreliability.

Wainewright the poisoner. by. Motion, Andrew, 1952-. Books for People with Print Disabilities. Internet Archive Books.

The book's value, all experimentation aside, lies in its enlivening of the art and publishing worlds and the horrors of the legal and prison systems, subjects that . London: Faber and Faber, 2000.

The book's value, all experimentation aside, lies in its enlivening of the art and publishing worlds and the horrors of the legal and prison systems, subjects that remain very much on the margins of Romanticism proper. Appreciating Wainewright not just as a proto- or post-Romantic, but as an early Tasmanian painter, and a fine one at that, goes a long way to bringing to light areas of study that we might otherwise avoid.

Andrew Motion brings all his lyricism and inventiveness to bear in this fictional autobiography of the great swindler, Thomas Griffiths Wainewright

Andrew Motion brings all his lyricism and inventiveness to bear in this fictional autobiography of the great swindler, Thomas Griffiths Wainewright. A painter, writer, and friend of Blake, Byron, and Keats, Wainewright was almost certainly a murderer. When he died in a penal colony in Tasmania, he left behind fragments of documents and a beguiling legend which Motion uses to create an imagined confession laced with facts, telling the story as no straightforward history could. Andrew Motion, Britain's poet laureate, clearly felt that neither straight biography nor pure fiction would do Wainewright's complexities justice, and so he combined the two genres. The result is stunning.

British poet laureate Andrew Motion knows how to write a conventional biography-witness his much-praised books on John Keats and Philip . Wainewright the Poisoner : The Confessions of Thomas Griffiths Wainewright.

British poet laureate Andrew Motion knows how to write a conventional biography-witness his much-praised books on John Keats and Philip Larkin-but this time ou. .

In this book, which Andrew Motion calls & experimental biography', he recreates Wainewright's life by using a purported confession written by Wainewright in 1847, and drawing on factual information where possible. The result is two stories within the one book. The first, written from Wainewright's perspective, is a memoir in which Wainewright is the victim. Each chapter is followed by a chapter of notes which adds in facts which Wainewright ignores or downplays. Although initially I was distracted by the way in which the notes were presented, I quickly came to appreciate.

A dazzling and boldly original biography by Andrew Motion, Poet Laureate and the celebrated biographer of Larkin and Keats. Thomas Griffiths Wainewright was an ingenious and unscrupulous criminal. In 1828 he inherited the handsome family home, while successive legacies allowed him to maintain a flamboyant lifestyle. Meanwhile, within the space of a few years, three of his relatives died in suspicious circumstances. Eventually tried and arrested, Wainewright was transported for life to Tasmania.

Yet he had lived at the centre of the Romantic world. He exhibited at the Royal Academy and painted Byron's portrait. He was good friends with Henry Fuseli, William Blake and Charles Lamb, and knew John Clare, William Hazlitt, Thomas de Quincey and John Keats. He was known as amiable, kind, and good-hearted. Combining the form of a 'confession' with notes, asides and illuminations, Wainewright the Poisoner strips away the layers of legend and restores Wainewright to his own voice, capturing his dandified style, his charm as well as his callousness, his wit as well as his wantonness - and his deadly unreliability.

  • Thomas Griffiths Wainewright (1794-1847) lived the first half of his life near the centre of the Romantic revolution, and the second half in exile and disgrace. Wainewright's grandfather and guardian founded the `Monthly Review'; he was educated by Charles Burney, studied art under John Linnell and Thomas Phillips. Wainewright painted a portrait of Byron, and counted Henry Fuseli, William Blake and Charles Lamb amongst his good friends.

    Wainewright was also an amoral and ingenious criminal. Suspected of three murders, found guilty of forgery, Wainewright was transported for life to Van Diemen's Land (Tasmania).

    In this book, which Andrew Motion calls `an experimental biography', he recreates Wainewright's life by using a purported confession written by Wainewright in 1847, and drawing on factual information where possible. The result is two stories within the one book. The first, written from Wainewright's perspective, is a memoir in which Wainewright is the victim. Each chapter is followed by a chapter of notes which adds in facts which Wainewright ignores or downplays. Although initially I was distracted by the way in which the notes were presented, I quickly came to appreciate their balancing role in the narrative.

    Does Mr Motion's experiment work? For me it did because it is possible, largely, to separate the criminal from the artist. Thomas Wainewright, criminal is neither likeable nor trustworthy. Thomas Wainewright, artist, left an entirely different mark on the world. My interest in Wainewright arose from his life in Hobart, Tasmania after 1840. Wainewright was amongst Tasmania's earliest European artists, and his known art consists of mainly small portraits in pencil, watercolour, chalk and Chinese white.

    Jennifer Cameron-Smith

  • The Wainewright of this "novel," is a notorious and very real man of the nineteenth century--a writer, painter, swindler, companion of famous Romantic authors, probable murderer, and criminal transported to Tasmania. As the subject of a novel, he would seem to be endlessly fascinating. The author, Andrew Motion, a Poet Laureate of England and a professor of creative writing, has all the credentials to make Wainewright's story as "brilliant," "memorable," "engaging," and "convincing" as it is described in the publicity. Unfortunately, Wainewright's fictional "confession" is presented so formally and in such scholarly fashion that it feels more like a dissertation than fiction. Ultimately, it fails to engage the reader because Wainewright never feels like a living, breathing person, someone who, under different circumstances, might live again today.

    The voice of Wainewright, who is thought to be a murderer, is done extremely well in the formal language of the period, but the language and lack of insight into his thinking keeps him at an unbridgeable distance. Wainewright himself never admits his crimes--in fact, does not even recognize them as crimes--and seems to be solely concerned with his own ends, not characteristics allowing for much reader identification.

    Most unfortunately, footnotes so heavily burden the narrative they constitute almost as many pages as the novel itself, and they bring any flow the author does create to a juddering stop. Appearing at the end of every chapter, rather than at the end of the book, they act as deadweights throughout.

    Andrew Motion is a respected biographer who has chosen to write this "novel" because it is the only way he can fill in the gaps in the real Wainewright's shadowy history, but he is too much the conscientious scholar to be able to exploit the privileges which fiction allows him. We end up with a slow, footnoted, scholarly account of Wainewright, a man who, ironically, lived almost totally in the moment. Mary Whipple