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ISBN13:
978-0585029580
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058502958X
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1592 kb
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Home Browse Books Book details, American Gargoyles: Flannery O'Connor and the.

Home Browse Books Book details, American Gargoyles: Flannery O'Connor and the. American Gargoyles: Flannery O'Connor and the Medieval Grotesque. Noting an especial kinship between her characters and the grotesqueries that adorn the margins of illuminated manuscripts and the facades of European cathedrals, he argues that O'Connor's Gothicism brings her tales closer in spirit to the English mystery cycles and the leering gargoyles of medieval architecture than to the Gothic fiction of Poe and Hawthorne to which critics have so often.

American Gargoyles Flannery O'Connor and the Medieval Grotesque.

Focusing on the comic genius of Flannery O'Connor, Anthony Di Renzo reveals a dimension of her work that .

Focusing on the comic genius of Flannery O'Connor, Anthony Di Renzo reveals a dimension of her work that has been overlooked by both her supporters and her detractors, most of whom have concentrated exclusively on her use of theology and parable. Di Renzo compares the bizarre comedy in O'Connor's stories and novels to that of medieval narrative, art, folklore, and drama.

O’Connor’s freaks jostle with Rabelais and Chaucer, the danse macabre, and the Christianized Saturnalia of the ‘Laughter of December’ in Di Renzo’s excellent tour-guide to ‘that strange passageway between the sacred and the profane. Anthony Di Renzo is an assistant professor in the writing program at Ithaca College.

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the different forms of the grotesque in O’Connor’s fiction and the parallels in medieval art, literature, and folklore

the different forms of the grotesque in O’Connor’s fiction and the parallels in medieval art, literature, and folklore. Di Renzo goes on to discuss O’Connor’s unusual treatment of the human body and its relationship to medieval fabliaux.

American Gargoyles: Flannery O'Connor and the Medieval Grotesque. Desire, Violence, and Divinity in Modern Southern Fiction: Katherine Anne Porter, Flannery O'connor, Cormac Mccarthy, Walker Percy (Southern Literary Studies). 541 Kb. The true country: themes in the fiction of Flannery O'Connor.

Keywords: American Gargoyles, Flannery O'connor, Medieval Grotesque, O'connor and the Medieval. For questions or feedback, please reach us at support at scilit.

Flannery OConnor was a storyteller whose characters represent the .

Flannery OConnor was a storyteller whose characters represent the strangest sort of people on earth. Flannery O’Connor was devoutly Roman Catholic in a rigidly Bible-belt South. An only child, she was adored by her father, who died when she was in high school. Flannery inherited his lupus and died herself before the age of 40. For a brief time, she had a romance with a traveling Bible salesman, which later inspired her story, Good Country People. We’re all grotesque, O’Connor confidently said in answer to a question about why her characters were odd, often even physically disfigured. She wrote about what needs forgiving in human life and often depicted violence to do so.

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Shows some signs of wear, and may have some markings on the inside.