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by Rebekka Fritz

ePub Text and music in German operas of the 1920s: A study of the relationship between compositional style and text-setting in Richard Strauss' Die ... Reihe XXXVI, Musikwissenschaft) download
Author:
Rebekka Fritz
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978-0820435213
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082043521X
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Peter Lang (1998)
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Text And Music In Germ. The English version in which it was given in May 1940 appears here for the first time, in its two parts entitled From Of Thomas Mann's public lectures at Princeton University, On Myself is of particular interest

Text And Music In Germ. The English version in which it was given in May 1940 appears here for the first time, in its two parts entitled From Of Thomas Mann's public lectures at Princeton University, On Myself is of particular interest.

Reihe XXXVI, Musikwissenschaft, ; B. The administration of the site is not responsible for the content of the site.

Reihe XXXVI, Musikwissenschaft, ; Bd. 173. General Note: Originally presented as the author's thesis (doctoral Trinity College Dublin, 1997). The data of catalog based on open source database. All rights are reserved by their owners.

Text and Music in German Operas of the 1920s : A Study of the Relationship Between Compositional Style and Text-setting in Richard Strauss' "Die Agyptische Helena", Alban Berg's "Wozzeck" and Arnold Schoenberg's "Von Heute auf Morgen". European University Studies. Series XXXVI, Musicology, English. By (author) Rebekka Fritz. AbeBooks may have this title (opens in new window).

Library of Congress Call Number: ML1705.

Text and music in German operas of the 1920s : a study of the relationship between compositional style and text-setting in Richard Strauss' Die agyptische Helena, Alban Berg's Wozzeck, and Arnold Schoenberg's Von heute auf morgen Rebekka Fritz. Library of Congress Call Number: ML1705. Dewey Decimal Classification Number

A Study of the Relationship between Compositional Style and Text-setting in Richard Strauss' "Die Ägyptische Helena

A Study of the Relationship between Compositional Style and Text-setting in Richard Strauss' "Die Ägyptische Helena

a study of the relationship between compositional style and text-setting in Richard Strauss' Die ägyptische Helena, Alban Berg's Wozzeck, and . 201 p. : Number of pages.

a study of the relationship between compositional style and text-setting in Richard Strauss' Die ägyptische Helena, Alban Berg's Wozzeck, and Arnold Schoenberg's Von heute auf morgen. Published 1998 by Peter Lang in Frankfurt am Main, New York. Libretto, Musical Style, Opera, Style, Musical.

In 1981, the Gesellschaft für Musikforschung, the official society of German musicologists, held its first formal session on the subject of Music in the 1930s. Rudolf Stephan, then president of the society, concluded his opening remarks with the following admonition. Export citation Request permission. 2 In music textbooks one learns about the turn-of-the-century atonal innovations of Arnold Schoenberg that were carried on by his pupils Alban Berg and Anton Webern, the achievements in the 1920s of composers who would later flee the Nazi regime (most notably Schoenberg, Paul Hindemith, Ernst Krenek, and Kurt Weill), and the overseas activities of those same.

Text linguistics is a branch of linguistics that deals with texts as communication systems. Its original aims lay in uncovering and describing text grammars. The application of text linguistics has, however, evolved from this approach to a point in which text is viewed in much broader terms that go beyond a mere extension of traditional grammar towards an entire text.

The first Italian opera was Jacopo Peri's Dafne of 1598. In 1627, Heinrich Schütz provided the music for a German translation of the same libretto. Opera flourished in German-speaking lands in the early 20th century in the hands of figures such as Hindemith, Busoni and Weill until Adolf Hitler's seizure of power forced many composers into silence or exile. After World War II young opera writers were inspired by the example of Schoenberg and Berg who had pioneered modernist techniques such as atonality and serialism in the earlier decades of the century.

Giannopoulos, Ilias, University of Athens, 2011: Aspects of time in the music of the 20th century: On the problem of time and its theoretical presuppositions in new music with special emphasis on the music of th. .

Giannopoulos, Ilias, University of Athens, 2011: Aspects of time in the music of the 20th century: On the problem of time and its theoretical presuppositions in new music with special emphasis on the music of the avant-garde of the 1950s and 1960s. Gibson, Lorna A. Royal Holloway, University of London, 2005: Beyond Jerusalem: Music in the Women’s Institute, 1919-1969. Gibson, Robert Raphael, University of Oxford, 2004: Parody Lost and Regained: Richard Strauss’s Double Voices