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ePub Portraiture and the Harlem Renaissance: Photographs of James L. Allen download

by Camara Dia Holloway

ePub Portraiture and the Harlem Renaissance: Photographs of James L. Allen download
Author:
Camara Dia Holloway
ISBN13:
978-0894670824
ISBN:
0894670824
Publisher:
Yale University Art Gallery (1999)
Category:
ePub file:
1306 kb
Fb2 file:
1834 kb
Other formats:
mbr mobi lrf lit
Rating:
4.8
Votes:
129

monographs Portraiture & the Harlem Renaissance: The Photographs of James L. Allen. James Latimer Allen, Madonna and Child, Object Narrative, in Conversations: An Online Journal of the Initiative for the Study of Material and Visual Cultures of Religion (2014).

monographs Portraiture & the Harlem Renaissance: The Photographs of James L. Exhibition Catalogue) New Haven, CT: Yale University Art Gallery, 1999.

During the Harlem Renaissance, James Allen photographed Harlem’s luminaries and enjoyed a. .

During the Harlem Renaissance, James Allen photographed Harlem’s luminaries and enjoyed a successful career as an award-winning artist. When the story of the Renaissance was later written, though, his name was virtually forgotten. ABOUT THE PRESENTER Dr. Camara Holloway was the curator for the exhibition Portraiture and the Harlem Renaissance: The Photographs of James L. Allen shown at the Yale University Art Gallery in 1999. Dr. Holloway is an art historian specializing in early 20th century American art with particular focus on the history of photography, race and representation, and transatlantic modernist networks.

During the Harlem Renaissance, James Allen photographed Harlem’s luminaries and enjoyed a successful .

In 1999, I curated the exhibition, Portraiture & The Harlem Renaissance: The Photographs of James L. Allen at the Yale University Art Gallery. Devoted to the Harlem Renaissance photographer, James Latimer Allen (1907-1977), this show restored this forgotten artist to his significant place within Harlem’s important interwar art scene. Object Narrative about Allen’s Madonna and Child (1930s) The Initiative for the Study of Material and Visual Cultures of Religion (MAVCOR), 2013. Portraits with Evanesence The New York Times (March 14, 1999)

A portrait is typically defined as a representation of a specific individual, such as the artist might meet in life

A portrait is typically defined as a representation of a specific individual, such as the artist might meet in life. A portrait does not merely record someone’s features, however, but says something about who he or she is, offering a vivid sense of a real person’s presence. The traditions of portraiture in the West extend back to antiquity and particularly to ancient Greece and Rome, where lifelike depictions of distinguished men and women appeared in sculpture and on coins.

Holloway, Camara Dia. Portraiture and the Harlem Renaissance: the Photographs of James L. Johnson, James Weldon. God’s Trombones: Seven Negro Sermons in Verse. New York: Viking Press, 1927. New Haven, CT: Yale University Art Gallery, 1999. Horwitz, Margot F. A Female Focus: Great Women Photographers. Kirscke, Amy, et al. Aaron Douglas: Art, Race and the Harlem Renaissance. Jackson, MS: University Press of Mississippi, 1995. Kuhn, Walt, et al. Documents of the 1913 Armory Show: The Electrifying Moment of Modern Art’s American Debut.

Harlem Renaissance, a blossoming (c. 1918–37) of African American culture, particularly in the creative arts, and the most influential movement in African American literary history. Learn more about the Harlem Renaissance, including its noteworthy works and artists, in this article. It was a time of great creativity in musical, theatrical, and visual arts but was perhaps most associated with literature ; it is considered the most influential period in African American literary history.

What others are saying. US Slave: "Jim Crow and the Great Migration," by Jonathan Scott Holloway. 1941 African American children in front of moving picture theater on Easter Sunday Chicago, Illinois. Black Line Black Belt Chicago Theater 1941 Hand Color Tinted Photograph. James Van Der Zee I had to dedicate a post to Harlem Renaissance photographer James Augustus Joseph Van Der Zee. Born on June 1886 in Lenox, Massachusetts, James Van Der Zee became the most sought after photographer during the. Parade in Harlem Looking northeast up Avenue from a point just south of the Street Intersection. New York, NY, USA, 1920.

Harlem Renaissance, an internationally acclaimed flowering of African-American cultural production, including .

Harlem Renaissance, an internationally acclaimed flowering of African-American cultural production, including photography, between the wars. The output of photographers such as James L. Allen, James Van Der Zee, and Addison Scurlock (1916-64) constitutes an unprecedented visual record of peoples of African descent in America. Maria · 4 years ago. 0.