ePub Talking with the Past: The Ethnography of Rock Art download

A case study is presented on the interpretation of rock-art from informed ethnographic and formal archaeological perspectives regarding the origins of the Midewiwin, or ‘Grand Medicine Society’. The evidence is twofold.

A case study is presented on the interpretation of rock-art from informed ethnographic and formal archaeological perspectives regarding the origins of the Midewiwin, or ‘Grand Medicine Society’. First, some of the rock-paintings that are found over a wide range of the southern Canadian Shield appear to be representative of the Midewiwin.

Talking With The Past book. Details (if other): Cancel. Thanks for telling us about the problem. Talking With The Past: The Ethnography Of Rock Art. by. James D. Keyser (Contributor).

University of California Publications in American Archaeology and Ethnology 31(3):67–210.

Portland, Oregon, in Press. Christensen, Donald D. 1993 Rock Art and Its Archaeological and Environmental Context: A Study at Opal Mountain, Mojave Desert, California. University of California Publications in American Archaeology and Ethnology 31(3):67–210.

Ethnography - is "the science of contextualization" often used in the field of social y in anthropology, in some branches of sociology, and in historical science-that studies people.

Ethnography - is "the science of contextualization" often used in the field of social y in anthropology, in some branches of sociology, and in historical science-that studies people, ethnic groups and other ethnic formations, their ethnogenesis, composition, resettlement, social welfare characteristics, as well as their material and spiritual culture. It is often employed for gathering empirical data on human Societysocieties and cultures.

Talking With the Spirits is a cross-cultural survey of contemporary spirit.

I read this book for my Activist Ethnography course in the Anthropology and Social Change program at CIIS

I read this book for my Activist Ethnography course in the Anthropology and Social Change program at CIIS. Several people in my class, especially those with literature backgrounds, saw hope in the book's promise of interdisciplinary ethnographic writings. Attention to text and to discourse drove anthropology closer to other disciplines, from literary criticism and cultural studies to postmodern philosophy.

This book provides a series of contemporary and international policy case studies analysed through discursive methodological approaches in the traditions of critical discourse analysis, social semiotics and discourse theory more. It engages critically with the colonial pasts of indigenous societies and examines how fieldwork and archival studies together lead to fruitful insights into the making of different colonial historicities. Timor-Leste’s unusually long and in some ways unique colonial history is explored as a compelling case for these crossings.

Rock art was often deliberately made where communication with the spirits was believed to be good. It was therefore made in caves and shelters, on steep cliffs, high in the mountains and on the shore – a range of localities all considered transitional spaces between cosmic worlds (Lewis-Williams & Dowson 1990; Tilley 1991; Whitley 1998; Helskog 1999).

Salvage ethnography is the recording of the practices and folklore of cultures threatened with extinction, including as a result of modernization. It is generally associated with the American anthropologist Franz Boas; he and his students aimed to record vanishing Native American cultures. Since the 1960s, anthropologists have used the term as part of a critique of 19th-century ethnography and early modern anthropology.

In: J. D. Keyser, Geroge Poetschat, & M. W. Taylor (Ed., Talking with the past: The ethnography of rock art. Portland, OR, The Oregon Archaeological Society. Hann, . James, D. & Cash, C. (2010). Columbia Plateau Rock Art: A Window to the Spirit World. In, Rock Art of the Oregon Country: Honoring the Lorings’ Legacy. Keyser and George Poetschat, Eds.